'Cause there's nothin' strange
About an axe with bloodstains in the barn.
There's always some killin'
You got to do around the farm.
-- Tom Waits, "Murder in the Red Barn"
As the Waits song does, Bryan Bertino's
The Strangers layers discrete and shadowed detail to build a portrait of the rural and remote as a place where cruelty can be expected
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I can't wait to read your take!
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Oh! Maybe we'll get that chance! (I'm supposed to try and visit Beth and Khara in Tucson sometime next year. Maybe we can have lunch or something!)
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thanks for the detailed analysis! :-) maybe i will go see it now... i just need to find someone to hold my hand during it.
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If you see it, look at the images and details as the torture porn aspect of it unwinds. Maybe connect the torture porn aspect of it, thematically, to claustraphobic domesticity. I think it has a point -- even if borrowed from Funny Games.
I should say I thought the movie, as entertainment, was solid but not amazing. And still made me think a lot about its choices.
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i'm so bad about scary movies... lots of them really appeal to me and i anticipate seeing them so much, usually to the point where, when i finally do, they're nowhere near as horrific as i'd imagined. recent case in point: the descent.
but i'm glad to hear someone i respect and feel some commonality with give their take on the movie... it definitely has me swinging back to the "want to see it" side of the pendulum now.
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I didn't see The Descent.
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FWIW, although you don't know me or my taste in film yet, I love the Descent very much. I envy your chance to see it for the first time.
Thanks for writing this and letting me take a look at it!
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I am glad you recommend The Descent; I think that's enough critical mass for me to rent it and see it.
Thanks for reading!
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So yeah, this movie might really creep me out. LOL!
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