(As I said in Hayden's one, I suck at LJ HTML, so here's the link:
http://community.livejournal.com/jigoku_ooc/104430.html )
He knows this dream, almost as intimately as Dante's one of this same home and the room that had been Mother's and her bloody corpse. It's a different dream, he's a bystander to the past, and can't change anything.
It's still
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Comments 8
That's just how children thought.
Hmph. Boy, did Dante, even at that age, ever get quite the literal wake up call.
He's not saying anything, since it's not his dream, a step or two behind Vergil, subconsciously there, he supposed, out of the fact that suffering begets suffering, and knowing Vergil's nightmares and dreams as intimately as he knows his own is certainly suffering. Or maybe just to be a source of comfort to make up for all the wrongs between them in a small way.
Having several decades to think over your actions could do that to a man.
Dante's an observer in this, just as much as Vergil seemed to be.
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"I don't want to see this again."
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"I know, Brother."
And it's rarely ever 'brother' for the fact that it's hard to hide some of the sympathy. He knows how Vergil is.
"So don't."
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"Get. Out."
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"Vergil! Dante! Get out NOW!" And the child comes barreling through, face spattered, hair dotted with red, heading at first for the stairs, then changing his mind and slamming against a door, scrabbling at its handle while he adds his own screams.
"Dante! Run! Hide! Now!" Fury suffuses Vergil's face, and Vei may find himself almost battered by the roar.
"I said get OUT!"
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