Cold this morning. Cold, but sunny, 37˚F. Very, very windy.
Yesterday, I began a second pseudo-vignette for
Sirenia Digest, and right now I'm calling this one "Apostate," though I'd like to come up with a better title. "Apostate" is appropriate, I just don't like it. One-word titles can get irksome, and I just finished "Camuffare." Anyway, I did 1
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I'm glad you enjoyed it. It's one of the films I try and recommend to folks who have been burned by a bad documentary-style movies. When in the hands of artists who who are not there to cash in on a style or phenomenon, the sense of intimacy it creates is crushing and melancholy at once.
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I'm glad you enjoyed it. It's one of the films I try and recommend to folks who have been burned by a bad documentary-style movies.
I thank you very much for suggesting it.
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I loved Lake Mungo. It's one of the creepiest, layered, most interesting ghost stories I've ever seen. I watched it six months ago and still can't get it out of my head.
I suspect it will have that effect on me, as well.
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I would have assumed you would have seen it long ago where I often look to you for tips on the "good ones".
Lots of good stuff flies beneath my radar.
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(I also love the time-distortion or dimension loop element of it--potentially present in Blair Witch, too, but utterly Peter Weir, and thus completely emblematic of Aussie horror in my mind. Yours too, though.)
Blair Witch starts with a bit of documentary narrative structure, but that's all Heather's--it's probably what was "cut" inside her camera--and thus when events catch up with her ( ... )
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I'd make a distinction between Blair Witch, Cloverfield and Lake Mungo, particularly in terms of narrative structure:
Agreed. In that we get the "straight-up" documentary, instead of the found-footage documentary. But I'd still call it part of the same phenomenon.
I also love the time-distortion or dimension loop element of it
Yes. Because, for me, if there's any non-psychological element to actual hauntings, it has nothing to do with restless "spirits," but "weak spots" in time.
The question, however, is always how did someone get hold of this footage, were they involved in making it, and who edited it?
Which, in a way, gets back to the "Why are you telling this and to whom?" problem I have with first-person narratives that don't explain that question.
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Yes! Love that film.
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If I wanted to purchase the back issue of Sirena Digest that has the first part of The Alphabetos Triptych, which one should I ask for?
Off the top of my head, I don't know. I know they ran over six issues. However, you can find out what those issues are on my Wikipedia bibliography page.
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