We got some of the snow from the storm to the south of us, just enough that schools were two hours delayed this morning. This meant that I missed teaching first and second periods, which were fully planned. Tomorrow is a half-day, so I only have to teach first and second periods. Which means that this is one of those rare moments in my life when I
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ORLY? He's reaching out from the Halls to put a stop to any unauthorized biographical writings, eh? ;)
I find him intimidating as hell, also, and I'm nowhere near the Silm scholar you are.
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When I was writing AMC, there was one section (two chapters) from Fëanor's PoV.
First, the first chapter was written with all kinds of random weird stuff that didn't happen. (Yes, I wrote the chapter but certainly hadn't pre-planned any of those things.) I had to start over.
Then, a large chunk of the chapter was deleted and lost.
Then, the disk on which Fëanor's chapters lived--I was still using floppy disks then!--corrupted. Thankfully, I'd emailed the chapters to myself but still.
I started the AMC prequel one year at Deep Creek Lake. Got four chapters that I really like, alternating Nerdanel's and Fëanor's PoVs.
The USB stick where I'd saved them corrupted later that week. <0>
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Yes!
I've seen literary magazines state outright that they don't accept first-person stories.
No! D=
First person is what I prefer to both read and write.
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From what I've read of your Caranthir, I really enjoy him. =D
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Someone told me once that the prejudice against first person is because first-person tends to produce some horrid results. But the fact that many awful stories are in first person doesn't erase that some awesome stories are as well! It seems a silly thing to reject a story for without even reading it.
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I suppose that, if the story is a badly-written self-insert author-fantasy, it may be somewhat more obvious in first person, but aside from that it seems to me that any POV has the potential for disaster (or awesomeness).
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Okay, there was the stack of porn stories sent into the university literary magazine when I was assistant fiction editor that were in first person and some of the most awful stories I've read (the author's name was Chris, and he liked to lean on the i-key when his partner called his name in bed), but they were all by the same person, so they're rather an outlier! :^P
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I love the many layers of meaning in a single word, for example, or how changing even small details in terms of structure and punctuation can create a certain effect. I love playing with symbolism and foreshadowing. I am very deliberate in making these kinds of stylistic decisions and enjoy when people pick up on it.I could have said that (obviously I could not, because I did not)! But I actually do that when I write. Not always that effectively apparently, because I often do use Betas and torn between loving feedback in that form and not liking that people want to give me a better word and suggesting the exact words or phrases that I carefully considered already and rejected because they did not contain the nuances and layers of my final choice of vocabulary or ( ... )
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Ha! I'm glad you thought it articulate. It often felt like a stew of metaphors to me. :^P
But I do love thinking about these things. I have my little pet theories. Usually only Bobby--bless him--gets to hear about them. Like the Language Layercake--that's a favorite. The Characters in a Room technique did get mentioned here!
If I were to ever be successful in writing beyond fandom, I could be one of those annoying writers who writes a how-to-write book.
I could have said that (obviously I could not, because I did not)!On that post, we certainly talked about making deliberate choices in our stories ... so you kinda did, if only in the comments. :) I don't remember if it was in the original post, so I'll trust you know better than me ( ... )
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I've said it before! Lot's of times--both that it is one of my favorites and my all-time favorite (I'm hedging at little on number one now, only because you have written some incredible stories since then). You just don't remember and I recommend it all the time.
The thing about it is, whereas AMC was a fabulous escape for me into a world I did not even know I wanted people with my favorite Silm characters. Light of the Roses was initially a painful and disturbing story, but really has an underlying hopefulness to it, despite foreshadowing of things to come. There is a sense of it's not over 'til it's over. Now I am blathering. Erestor is a great character also and influenced the way I write my very different one. Your Telvo is such a fantastic character--so vulnerable and courageous at the same time. It has a cast of fantastic characters--the wives and Curufin. Even Erestor's parents and their marriage(!), seen only in his internal monologues.
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I just mentioned to Huin that I've edited for two small literary magazines in my time and never noticed more awfulness in first person than in third. To me, PoV is a tool like any other in a writer's repertoire. Putting something off-limits that is the best choice for a particular project simply makes no sense to me.
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It also... kind of worked in If on a Winter's Night a Traveller.
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It's funny--with me, first person is unusual, and present tense is as well; but when I do use one, the other often follows. In fact, of my rare present tense stories, I can't think of one that's not first person.
Your writing is always intriguing, and makes me think--especially about characters I don't think of often, and nearly always makes me want more.
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I love these kinds of memes--both doing them and reading others' responses to them. The creative process and how very different it is for each person endlessly fascinates me. I used to feel bad, as a young writer, when I would venture into the Writing section of B&N and pick up one of those books on writing advice, often by a famous author, and realize that I did little or nothing of what they recommended (write in the morning, force yourself to write at least 15 minutes a day, write plot outlines before beginning ...). I now know how different each writer is, and those advice books feel rather silly in retrospect.
It's funny--with me, first person is unusual, and present tense is as well; but when I do use one, the other often follows.
Hmm ... this might be true of me too. I'll have to look back sometime and figure this out!
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