We got some of the snow from the storm to the south of us, just enough that schools were two hours delayed this morning. This meant that I missed teaching first and second periods, which were fully planned. Tomorrow is a half-day, so I only have to teach first and second periods. Which means that this is one of those rare moments in my life when I
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I just mentioned to Huin that I've edited for two small literary magazines in my time and never noticed more awfulness in first person than in third. To me, PoV is a tool like any other in a writer's repertoire. Putting something off-limits that is the best choice for a particular project simply makes no sense to me.
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It also... kind of worked in If on a Winter's Night a Traveller.
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POV is definitely a tool, nothing more and nothing less.
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A Few Great first person novels (in no particular order):
The Sound and the Fury, Faulkner
The Quiet American by Graham Greene
The Remains of the Day (sorry, forgot the author--great book)
I specialized in Henry James for a while early in my academic years- so The Ambassadors
How about Joseph Conrad's Heart of Darkness (not only first person but that unpopular form, A Novella!)
Someone else mentioned somewhere recently, maybe on my LJ comments on this topic, Mary Renault’s The Persian Boy (fantastic unreliable narrator!); she also did others which I liked even better in the first person like Mask of Apollo and The Last of the Wine (greatly influenced my Maitimo and Findekano in both style and content)
Wuthering Heights
The Great Gatsby
Rebecca by Daphne Du Maurier (if not great, then very, very good)
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