expanded from the facebook/twitters

[dancinglights]

A decade ago, most of my photography focused on overgrown abandonments. Today, there's less emptiness and more survivalists on vacation. It's the same drive really. A decade ago, a camera was helping me consider how we *would* deal with major climate and economic change in my corner of the world. And as it happens around us, I am slowly starting to

Comments

[angiereedgarner]

I'd love the first two paragraphs as an artist statement. I would want to see the work.

[dancinglights]

Wow, er, thank you. I really ought to get more of it together.

I think I'm finally beginning to figure out what I've been shooting all along. Thanks for making me pick at it from a different angle.

[angiereedgarner]

I think I'm finally beginning to figure out what I've been shooting all along. Thanks for making me pick at it from a different angle.

This has been true for me so many times, I've come to rely on it. It's why I'll probably be the last person alive to leave livejournal, and I'll be crying when it happens.

[feonixrift]

This is .. part of why we were so delighted to have a tintype done of us and our kid. Mixed up time periods and senses of permanence amid shifting sands.

[dancinglights]

This is why I squee'd so much when I saw the scan of it! I keep meaning to go to a tintype workshop and learn to start making them, though they're so much fussier than the other historic processes I already do. One of these summers, soon.