expanded from the facebook/twitters
A decade ago, most of my photography focused on overgrown abandonments. Today, there's less emptiness and more survivalists on vacation. It's the same drive really. A decade ago, a camera was helping me consider how we *would* deal with major climate and economic change in my corner of the world. And as it happens around us, I am slowly starting to document how people *are* dealing with it, and continuing to look forward.
The mid-apocalyptic focus is also why I gravitate to the film processes that I do. There is a future where they'll last longer than an inkjet printer or affordable electricity, and I'm not sure we're not heading for it.
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This is partially to say hopefully I'll have (at least the digital, not the Holga) pictures I owe performers at Spoutwood (organic CSA) farm's May Day Fairy Festival up soon. Also crap I think I accidentally found the beginnings of an artist statement. This is partially to angiereedgarner's credit for asking about what art buyers want to see in a bio (not statement) and making me think. So there's that.
The mid-apocalyptic focus is also why I gravitate to the film processes that I do. There is a future where they'll last longer than an inkjet printer or affordable electricity, and I'm not sure we're not heading for it.
*
This is partially to say hopefully I'll have (at least the digital, not the Holga) pictures I owe performers at Spoutwood (organic CSA) farm's May Day Fairy Festival up soon. Also crap I think I accidentally found the beginnings of an artist statement. This is partially to angiereedgarner's credit for asking about what art buyers want to see in a bio (not statement) and making me think. So there's that.