Holy heck Batman. I am deep into the crazy right now. I hope that I cool my passion a bit after I finish listening to all these new soundtracks. Knowing me? It's kinda unlikely.
Script made from what I can hear/infer. Will be working on this for awhile. When it's done I'll post it somewhere if anyone can think of a place I should?
frayedshoelace any suggestions
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Pittsburgh has the French reporter asking (in accented English) "Mr. Trumper what is your opinion on the--" Long Beach has something like "Monsieur Trumper qu'est-ce que c'est votre favori--". Either that, or "qui est-ce que c'est", I'm not sure.
Since it seems like you're listening to the Pittsburgh recording too, HAVE MY COMMENTS xD: Listen to the track Nobody's Side. There's some (spoken) action that happens after the song proper is over. This Molokov's performance is to die for (WALTER YOU BASTARD!) And the Freddie sounds surprisingly feminine (Mulan, imho.) And Walter is a... gangster? ghetto? *not sure of the word*
(Long Beach's Story of Chess reprise is also really quite nifty ( ... )
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I love Pittsburgh so much so far (I'm moving through a bit slowly). Freddie sounds so young! And after this and Sydney, the fiance and I now have it in our heads that Walter and Molokov must be these two. Seriously ( ... )
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I had a whole ramble about different Arbiters in different productions before I cut it out, I talk a lot If you want "firm and resolute", you should see 2008 RAH Marti Pellow. He looks (or tries to look) so badass during The Arbiter, it's hilarious (either that, or he looks really angry/grumpy). I think he was channeling a bit of US Tour Arbiter...
I really admire you for having the patience to actually go through and listen for the differences. I need to remember that there really ARE some worthwhile bits in the USA versions, and that they're not all bad even if the character development has been shot to hell... though that was Broadway more than the other productionsOh man that book looks excellent! I hope you can get your hands on a copy of it, I'd love to learn about how the original production was staged. There's a lot you can get from ( ... )
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