[Anyone on either side of Mal's room (7.05) will hear a voice calling "Dom?" After a moment, Mal knocks over her communicator, switching it on, and the Barge video feed is treated to a dining-table's-eye-view of a pretty woman looking worriedly around what appears to be the living room of a creatively- and eclectically-decorated Southern California
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"You'd be surprised what patients can accept when they've been prepared for it," she replies shortly, and there's a you-ought-to-know-that tone there. Not that Arthur had worked with the clinical cases as much as she had. "Just tell me the truth, Arthur. Where is my husband? What has he talked you into now?"
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And the rest of what he says just ... oh, she understands inception, of course, and the theory behind it, and the difficulty of the process, but ... "Lost?" she says, dread in the pit of her stomach. Then: "How can you being here help him?"
She still suspects that Dom must be here, somewhere. But she's also starting to think that if she expects to get anywhere with Arthur, she probably needs to at least pretend that she's following him in the mad tales he's spinning. Let him think she's believing him.
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...
Yeah, this is stupid. There's no way Mal's going to buy any of this.
"I know it sounds completely insane."
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"Yes," she says, and maybe there's just a bit of the old humour about her eyes and mouth, where there hasn't been a proper smile in far too long. "It does sound insane."
But if there's anything slightly true, or supposed to be slightly true, about this ludicrous line of merde, that raises one very significant question:
"So what am I doing here, then? According to this Admiral's plan?"
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"You're dead. And you don't know why you're here. Statistically speaking, that makes you one of the people up for a second chance." But now the question is: why is Mal an inmate? He knows what happened, how she framed Cobb, but in a way it feels like the Admiral's condemning her as cut from the same cloth as the genocidal nutcases and killers. "You'll be assigned a warden-- like a case worker, not a jailer. They'll help you sort out... whatever it is you need. When you're finished here, you can go back ( ... )
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She turns away from Arthur, hugging herself and looking back out over the rail into the void. She's trembling, but she doesn't seem to be aware of it; she's too lost in her own thoughts. None of this is right, none of it. That leap from the dream ... no, someone must have put her under before she could really jump, for real, then drew her down into another dream space, from which she'd leapt into this, perhaps some other dreamer's Limbo-yes, surely that must be it. She can't be dead. She can't.
She can feel sobs of frustration rising in her throat. "I just want to go home," she whispers. She turns to Arthur, her eyes starting to brim with tears. "And I must work with this ... this warden? Do I ( ... )
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"That room," she says after a moment. She sniffles and wipes her eyes with the back of her hand. "The room I woke up in. It was just like ... like our home, in California. It smelled like it." She swallows. "Is that where I will live?"
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He nods. "It's a way to... to make you feel at home." But without Dom, without the kids. His brow creases as he considers what that might do to her. Mal's not exactly stable, as it is, and something like that is hard enough on a person. "If you're not ready for that, you can stay with me as long as you need to." Granted, sleeping on the floor would be uncomfortable, but he figures it'll only be temporary, if she even takes him up on it. He thinks for a moment, then continues. "Listen, there are some things I've got to warn you about."
Such as her husband's identical twin.
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She looks up at him. "What things?"
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He sighs and runs his hands through his hair with exasperation. "I swear this will make sense after a while."
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But to Arthur she simply nods. It's probably clear from her face that she's only just managing to take this all in now and will try to process it properly later, and that she's simply grasping at the straws closest to her heart. "And this ... this person who looks like Dom, is he one of the dangerous ones?"
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He pauses, thinking, then asks a potentially risky question. "Do you have your totem?" Since Cobb has hers, he's pretty sure the answer's 'no,' but it's worth a shot.
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"I know it's not much of a consolation," he says after some thought, reaching into his pocket. He pulls out his die, holding it in the palm of his hand to illustrate. "But I check it. Every day." And then, he closes his fingers over the die. While he doesn't think Mal would touch it-- they were all her idea, after all, so she knows better than anybody else how sacred a totem is to a person-- he still doesn't want to take that chance. "This world, strange as it is, is real."
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