[Anyone on either side of Mal's room (7.05) will hear a voice calling "Dom?" After a moment, Mal knocks over her communicator, switching it on, and the Barge video feed is treated to a dining-table's-eye-view of a pretty woman looking worriedly around what appears to be the living room of a creatively- and eclectically-decorated Southern California
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He keeps his mouth closed for a moment, then answers reluctantly. "Inception." He's never had to lie to Mal before, and trying to almost feels like he'd be lying to Cobb. "He talked me into performing an inception with him. Or trying to, anyway."
If he'd known what Cobb had done to Mal, his answer would probably be different. As it is, he still believes that inception is largely impossible. Sure, most of them planted the idea and made the kick, but he won't believe it's truly possible until he sees the results in Fischer, himself.
"It didn't go well. He's..." Arthur stops, glances away again. "Lost. I made a deal to get him back. That's why I'm here."
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And the rest of what he says just ... oh, she understands inception, of course, and the theory behind it, and the difficulty of the process, but ... "Lost?" she says, dread in the pit of her stomach. Then: "How can you being here help him?"
She still suspects that Dom must be here, somewhere. But she's also starting to think that if she expects to get anywhere with Arthur, she probably needs to at least pretend that she's following him in the mad tales he's spinning. Let him think she's believing him.
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...
Yeah, this is stupid. There's no way Mal's going to buy any of this.
"I know it sounds completely insane."
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"Yes," she says, and maybe there's just a bit of the old humour about her eyes and mouth, where there hasn't been a proper smile in far too long. "It does sound insane."
But if there's anything slightly true, or supposed to be slightly true, about this ludicrous line of merde, that raises one very significant question:
"So what am I doing here, then? According to this Admiral's plan?"
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"You're dead. And you don't know why you're here. Statistically speaking, that makes you one of the people up for a second chance." But now the question is: why is Mal an inmate? He knows what happened, how she framed Cobb, but in a way it feels like the Admiral's condemning her as cut from the same cloth as the genocidal nutcases and killers. "You'll be assigned a warden-- like a case worker, not a jailer. They'll help you sort out... whatever it is you need. When you're finished here, you can go back home." To Cobb and James and Philippa is the conclusion he wants to make explicit, but he doesn't. He doesn't really know what happens to inmates, despite the promises made.
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She turns away from Arthur, hugging herself and looking back out over the rail into the void. She's trembling, but she doesn't seem to be aware of it; she's too lost in her own thoughts. None of this is right, none of it. That leap from the dream ... no, someone must have put her under before she could really jump, for real, then drew her down into another dream space, from which she'd leapt into this, perhaps some other dreamer's Limbo-yes, surely that must be it. She can't be dead. She can't.
She can feel sobs of frustration rising in her throat. "I just want to go home," she whispers. She turns to Arthur, her eyes starting to brim with tears. "And I must work with this ... this warden? Do I have any choice in who it is?" There's a dread now, of a stranger, one who could be a projection, or perhaps another dreamer. This is madness, she thinks for what is possibly the hundredth time since she woke up in that terrible room.
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"I do, too," he admits, his voice softer now. Now that he's sure she's not a projection, he allows his guard to drop further, although it's hard to forget everything and let it go completely. "The Admiral chooses assignments, but they can change." He reaches out again, not to grab her this time, but to offer some comfort, a stroke of the shoulder. "Hey... If they're not good for you, talk to me. I'll make sure you get somebody else."
He may as well put his point man skills to some use on the Barge.
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"That room," she says after a moment. She sniffles and wipes her eyes with the back of her hand. "The room I woke up in. It was just like ... like our home, in California. It smelled like it." She swallows. "Is that where I will live?"
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He nods. "It's a way to... to make you feel at home." But without Dom, without the kids. His brow creases as he considers what that might do to her. Mal's not exactly stable, as it is, and something like that is hard enough on a person. "If you're not ready for that, you can stay with me as long as you need to." Granted, sleeping on the floor would be uncomfortable, but he figures it'll only be temporary, if she even takes him up on it. He thinks for a moment, then continues. "Listen, there are some things I've got to warn you about."
Such as her husband's identical twin.
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She looks up at him. "What things?"
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He sighs and runs his hands through his hair with exasperation. "I swear this will make sense after a while."
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But to Arthur she simply nods. It's probably clear from her face that she's only just managing to take this all in now and will try to process it properly later, and that she's simply grasping at the straws closest to her heart. "And this ... this person who looks like Dom, is he one of the dangerous ones?"
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He pauses, thinking, then asks a potentially risky question. "Do you have your totem?" Since Cobb has hers, he's pretty sure the answer's 'no,' but it's worth a shot.
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"I know it's not much of a consolation," he says after some thought, reaching into his pocket. He pulls out his die, holding it in the palm of his hand to illustrate. "But I check it. Every day." And then, he closes his fingers over the die. While he doesn't think Mal would touch it-- they were all her idea, after all, so she knows better than anybody else how sacred a totem is to a person-- he still doesn't want to take that chance. "This world, strange as it is, is real."
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Stalemate.
She heaves a heavy sigh, covering her face with her hands, suddenly overwhelmed my every kind of exhaustion. "Arthur? Will you ... will you walk me back to my room, please? I'm so tired, and I don't want to go alone."
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