[Anyone on either side of Mal's room (7.05) will hear a voice calling "Dom?" After a moment, Mal knocks over her communicator, switching it on, and the Barge video feed is treated to a dining-table's-eye-view of a pretty woman looking worriedly around what appears to be the living room of a creatively- and eclectically-decorated Southern California
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There's some part of Mal's overtaxed brain that admires the sheer skill with which this environment has been designed, but she's past caring about craft now; she just wants out. Whoever's dream this is, however she has come to be trapped here, she doesn't care; there's only one way to escape that she knows, and while she's aware that yes, it could drop her back into Limbo, it's a risk she's willing to take. So she runs, runs out of her room, down the strange hallway, up the stairs, past confused faces of projections, some strangely familiar-and finds herself, breathless, on the deck of this strange ship, overlooking an ocean unlike any she has ever seen, not even in the most surreally-designed dreams she's ever shared.
Mal grips the railing, gasping for breath. Well, it'll do. She hikes up her skirt and starts to climb over.
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There are two possibilities. One: this is a projection of the dreamer whose dream she now inhabits. Or two: this really is Arthur; darling Arthur, doing what he does best, keeping things moving smoothly, looking out for Cobb-
She slides back down from the railing, smoothing out her skirt, and edges back half a step.
"Arthur," she says, her tone colourless. "I might ask the same of you."
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"A job," he says tersely. He looks at Mal, then the railing behind her. "Do you know why you're here?"
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Who's there?
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Who are you?
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Hey, come on now, try to calm down all right?
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Hey! Hey! Be careful there!
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Another one? Who are you?
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Please leave me alone.
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I don't need a doctor.
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