This post has a sneaky double purpose. It is the long-owed meta post I promised
talitha78 on her masterpiece
talitha78's
That's Not My Name but it doubles as some pre-season-9 reflections on Smallville and, most importantly, Clark Kent. (
cut for a lot of gushy Clark love )
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And besides, I adore Tom Welling. So solid, such a good leading man for a show, and so underrated.
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Definitely underrated! Tom can sell me on moments that in the hands of another actor would be meaningless. I don't think people realise just how hard it is to sell some of that craptastic dialogue. ;) After all these years I've never seen Tom 'phone in' a scene. If anything, he seems to give more and more.
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I began watching Smallville way back when the first episode aired, back in the day. I loved the Clark and Lex relationship, and was quite a slasher for them once upon a time. So you would think that, with the deterioration of the relationship and finally Lex mostly disappearing from the show, that I would have left with the Clark/Lex folks who drifted off somewhere between Season 5 and 6. Not so; because although I always liked Lex, my character was always Clark. I suppose it helps that the Superman movie was something of a formative childhood experience, and although Gene Hackman as Lex was great, he's not a character you actually like or have much respect for, you know ( ... )
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Bring on Friday! \o/
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Here are the bits that particularly tickled me:
One of the things I love about the vid is that you don't need to know the words to understand or enjoy it.
You don't know how glad I am to know that, especially since a good 20% of the time, I couldn't understand the lyrics myself. HAHA.
One of the things I love most about the vid is that it combines wry humour with warmth and love for Clark. There's irony in the line 'don't want to be a loner' cut to Clark's farewell letter to the Citizens of Metropolis.
Ahhh. So glad the love came through even as I was poking fun at Clark and his tendency to Super-mopedom. That letter was such a "Goodbye, cruel world" message. Oh, Clark!
This has a double purpose (at ( ... )
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It builds this wonderful density and complexity, yet energy to Clark's inner headspace. He may be repeating 'that's not my name' but he's also got this strong, underlying pull towards these heroic actions, and he's in a constant internal dialogue with himself about it. At least that's my reading. ;) I think Clark's head would be a pretty noisy place these daysAhhh. Thank you articulating this. The three-layered sections were definitely the most difficult to communicate visually. In the end, I went very free form. I knew I wanted a lot of circular, chaotic movement, but I didn't worry too much about cutting on the beat or uniformity of clip length. I just looked for the prettiest, most motion-intensive clips and threw them on the timeline in a very random fashion. If this were an art piece, I would say that this section is definitely a light, pencil sketch sort of thing. As I was working on the vid, I felt I could do a little better as far as pacing was concerned, but...I don't know, I just ( ... )
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especially since a good 20% of the time, I couldn't understand the lyrics myself.
It totally doesn't matter! I misheard some of the lyrics myself and am quite fond of my mishearings as well as the true lyrics. :D
hat letter was such a "Goodbye, cruel world" message.
It was! Poor baby! But yes, the love is so strong in this vid there's never any sense of it being critical of Clark--it reads more like Clark himself knows his own tendencies to mopedom. ;)
, I had a deathly fear that people would drop from boredom before they reached the end of the vid. I wanted the visuals to be what held people and entertained them.I think you succeeded tenfold and am in awe at your ability to do so! I find the journey with the lyrics really amazing because the chorus is so distinctive and when I first watched the vid I thought 'how the hell is this going to work?' But I find that you build up this awareness of what's going on and then in the later stages it's just one strand of ( ... )
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