As I mentioned before, recently a bunch of us went to see
Nixon in China! gramarye, who knows the most about the history and politics, and
sandrylene, who knows the most about the music, have already written up excellent reviews, and before you go any further you should read them:
Shannon the historian's review Sandry the music major's reviewBut now that they have
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b) All except Madame Mao, who was a Korean soprano! (None of which I realized until after the opera was over, we were too far away to make it out.) And - on the one hand, I don't know how filling out an opera's cast works, and I can very easily see why Chinese opera singers might be reluctant to play Mao or Chou En-Lai in this play, and why it might be tactless to try and recruit them (and likewise tactless to recruit Japanese or Korean singers, although they did it for Madame Mao.)
And yet, ON THE OTHER HAND.
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Pssst, typo!
Totally agreed about point E! He comes off as spectacularly useful and sane by comparison, and I would totally like to know more.
Also, I so love how you phrase things. :D You are my favourite, dare I say, the *best* Becca. <3
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I think I should politely refute the 'best' statement as there are a lot of excellent Beccas out there! But I am glad to be your favorite. :D
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If I recall rightly, there was a throwaway line in the first part of Act I where Nixon makes a comment about it being an election year (1972), and Chou En-Lai's like, 'Dude, even I blush to think about how you've been screwing over your political opponents, and I'm supposed to be propping up a dictatorial regime here.'
(More of my thoughts on this excellent and disturbingly accurate review to come!)
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