As I mentioned before, recently a bunch of us went to see
Nixon in China! gramarye, who knows the most about the history and politics, and
sandrylene, who knows the most about the music, have already written up excellent reviews, and before you go any further you should read them:
Shannon the historian's review Sandry the music major's reviewBut now that they have
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1) WHAT? HOW DO I NOT KNOW THIS EXISTS?
2) HOW DO I NOT KNOW MORE ABOUT THIS PART OF THE MOTHERLAND'S HISTORY IN ORDER TO BETTER APPRECIATE THIS? (My bestie wrote her high-school junior thesis on it, though. Maybe she would appreciate it.)
3) Oh, Zhou Enlai. Yeah, he's a big deal in the Chinese schoolbooks. =)
4) MOAR THINGS but right now I'm tired.
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I have to wonder if the writers were influenced by some of the more recent, controversial (and by that I mean banned) Chinese fiction, which has topics like COPIOUS CULTURAL REVOLUTION SEX.
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The theory we were tossing around after the production is that the original opera did not, in fact, involve all the COPIOUS CULTURAL REVOLUTION SEX (since none of it is in the libretto! or the description!), and the directors of the new production decided to incorporate it based on recent controversial fiction and memoirs to make it EDGIER. Interesting in theory! CONFUSING IN PRACTICE.
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This sounds like a reasonable theory to me! The practice of the theory sounds...somewhat less reasonable.
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