I made it a point to get some more reading time in over the break than I usually do, and a quick spin through my collection (electronic and paper) turned up these three, which I finished and enjoyed. I don't usually report on my reading but felt like doing it at least for the first one.
Swordspoint, by Ellen Kushner, self-described as "a
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The Door Into series by Diane Duane. (n.b.: The cover of the Mass Market Paperback on Amazon is truly appalling.) Open, pansexual relationships are common and accepted, including stuff that is effectively cross-species, involving forms of "sex" that involve shapeshifting, mind-melding, etc.
Unfortunately the final volume hasn't been finished yet, and it's been over twenty years since #3 came out. :-|
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a few overarching conflicts that don't get resolved in the first book (but I assume they do later)
I'm not going to advise you don't finish the next two books. I will say... I have heard that if you're dissatisfied with what the trilogy does and doesn't do, that reading the second and third trilogies may help recover. That's just hearsay, though; I haven't continued there.
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For the Assassin books... I was relatively satisfied at the end of the first book, so if the other books follow in a similar pattern I think I will enjoy reading them. Of course I prefer to see all threads tied up neatly, but if the storytelling is good enough even that is allowed to slip a little. So we'll see.
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Well, I'd be interested to hear what you think of the Assassin trilogy.
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To my mind, the big difference is that Heinlein writes as if same-sex relations are good to look at, from a very heterosexual perspective while Kushner writes as if same-sex relationships are good to have and its unremarkable that many people like both. Diane Duane, mentioned above, writes from a perspective like Kushner's. So do Samuel Delaney and Joe Haldeman.
I know Kushner and Duane are young enough to have grown up reading Heinlein, and it's likely that some of their writing is in reaction to him. The others are younger than Heinlein, but I'm not sure if the early Heinlein novels mentioned sexuality at all.
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