I've been trying to articulate my unhappiness with m/m "romance" (actually, any romance, for that matter) in various ways for almost as long as I've been reading the stuff. But I just read a very interesting
article containing a sentence that really hit the nail on the head: In the M/M stories...there is a “male” man and a “female” man.
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Yep, that's totally what's been bugging me )
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So yeah, a lot of the things that she makes sound like common practice in m/m are the exception rather than the rule, but it still bums me out that Erastes & Co. seem to be the public face of the genre, seeing as how much of their work does portray these screwy dynamics that offend me. (It was a complaint I was making years ago when I reviewed some of Beecroft's early work for UP, in fact, although I was much nicer about it then. As I recall, she got all huffy about my criticism of the stale dynamics anyway ( ... )
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*falls over laughing*
Yes, that! As well as "I find the notion of one partner guarding the goodies until twu luv has been declared incredibly insulting." And to add another that I've been slapped in the face with recently over and over and over and over again is this: It's absolutely twoo wub so we must go out and get blood tests so we don't have to buy more condoms. Let's do it now since we're down to only two...
There are a small handful of authors who keep the men as *men* and equal partners instead of feminizing one of the roles so it's the stereotypical bottom who's shorter, smaller of build and needs to be protected from himself at all costs. The big, bad, huge, over-protective dominant/top will always be there to save the poor little, weak bottom who just always so happens to have a long but elegantly thin cock while the top is rather over well-endowed. *rolls eyes*
I like the points you bring out here. More please? :)
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Do eeeeeeeeeeeeeet! =D
The closest I've seen is in K.A. Mitchell's Collision Course where the bottom, Joey, is truly well hung.
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While it's true in some many cases, it's not in others, but it's not a scenario that I'm fond of. The author paints all m/m with the same brush and seems to imply that there is only one model of m/m relationships. Rape and non-con are not something I want to read about in any literature, especially if they are of the 'falling in love with the rapist' variety. M/m writers are not the only one guilty of that trope.
While the "male" man and the "female" man are not what I want to read, though I can't say with authority that the situation never happens in real life. I eschew stories written that way as well as those that include rape and non-con. If I wanted to read about swooning and helplessness I'd read romance novels.
I really suspect that some women write m/m because they want relationships in which both partners are equal and they aren't able to get that or create that in het. However, I write it and I know others do as well because I saw a relationship between two ( ... )
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Anyway, I should probably tone down the judgmental vibe my screeds seem to be taking on. It's been a long, ugly summer so it's easy to tap the anger, but that's no excuse to get all preachy with the flist or make friends feel bad. Sorry.
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Don't tone down! Righteous anger is good.
And the writing! I'm glad for you and hope the summer is getting better and that fall will be wonderful.
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I agree with you on the male-male vs female-male issue. I think that's why I've always been drawn toward parings where the partners switch, I think it helps avoid getting stuck in that rut. But I also don't think that always works because there are people out there who prefer one role over the other, sexually anyway. I guess one of the keys there is that the sexual roles don't always have to reflect the outside of the bedroom roles. One day I'd love to see a story where the top is rescued and has his feet swept under him by the bottom.
That being said, there is some utter tripe out there. I've had a few I could barely stomach reading. But there's also some gems out there, too. Hit or miss, I guess.
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