My latest effort to pull out of the "everything I touch turns to crap" mode that I've been in for the last several weeks is to try some more sestinas without worrying about how tight or original they are. It seems to be working. The one I started last night about John Sheppard has stalled halfway through, but here's another I managed to write today
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I echo everyone else's clever analysis (my brain is too tired to be original) but I want to add that I LOVE the rhythm of the line:
it's so, so important, huh, that's a strange word, im-por-tant
What I wouldn't give to hear David H. read this out loud!
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I had never met one before! I did not know it was so complex!
Oh! Have you not met the others? Or am I misreading sarcasm? Love the application of That Line, btw.
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*It sounded a bit like "siesta" which made it immediately appealing to me.
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My one quibble would be the choice of "Rodney" as one of the end words, since it seems to screw up the POV a bit. If we're inside Rodney's head (which we quite clearly are), then a sentence such as "Hello? Is Rodney speaking Ancient here?" is a tad jarring, because you'd expect it to read "Hello? Am I speaking Ancient here?" I don't see an easy way to fix that, of course, so just ignore me.
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you'd expect it to read "Hello? Am I speaking Ancient here?"
Hmmm. I was going for third person limited. Is it every instance of "Rodney" that throws you, or just a few (or just that one)?
Hey P.S. -- thought -- d'you think, now and/or post-revision, this (a) fits and (b) is good enough to post for the Wordless challenge at sga_flashfic?
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Oh, yes, I definitely think it (a) fits and (b) is "good enough" (actually, it's excellent) to post for the Wordless challenge!
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Maybe can't post to flashfic after all; just checked the rules and you're not supposed to post anywhere but that comm for the duration of the challenge.
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