Since the Conrad explosion, one Rusty Hunt has been missing from Chicago. Well, honestly he hasn't been missing. The Rani knows exactly where he is. He's been being taken care of just as well as the other creatures she snagged. Really, it's all the same to her. The brain structures of the Gallifreyanoids on this planet are just as similar to her
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Who wouldn't? He has no idea what the hell is happening.
From his mouth comes a near endless string of "What the fucks?"
He really hopes that this is a very, very bad trip.
Maybe he took some new experimental drugs and this--
Whatever this is is the result. Yeah. That's it. That's what's happening. He has to remain still, shut his eyes, and wait for it to pass.
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"I'm going to need you to open you eyes," she says, almost sounding bored. "Otherwise, I can't do a full retinal exam."
If he doesn't open them willingly, she'll have to use electrostimulus to do so. It would be far easier for him to just open them on his own. But in the long run, it doesn't matter to her.
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"Who the fuck are you and where am I?"
He is trying to sound angry.
Mostly, he sounds really freaked out.
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Do you tell the animals why you're butchering them, or do you just lead them to the slaughterhouse. The Rani whistles to herself as she picks up a laser saw. She reaches out with her spare hand and presses his head against the back of the chamber. There's a snapping noise, and his body is held rigid against the back.
"If you stay calm, there's less of a chance of brain damage," the Rani says, holding up the laser saw to Rusty's forehead, starting to painlessly split the skin and skull. Not that she really cares.
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She is neither late or early. After all, Jane arrives exactly when she means to.
In terms of the interview time, Jane is ten minutes early, moving calmly through the doors. She is far too old and certain of her own skills to feel nervous. If they don't want her here, there are other places that she could set her interests. Her life is her own.
She won't interrupt another person's conversation, but she does step directly up to the desk to make her presence known. Her expression remains polite and patient. She even offers a small smile to the girl on the same side of the desk as her.
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"Sugar, honey bun, I gotta do what they pay me for now," she gently lets the smaller girl down. Proper deflation is important. Although, the question in everyone's mind is what do they really pay Ashley for? No one seems to know. It's not clear if Ash knows.
"You must be Jane," she says, looking at Jane carefully. "If you'll just come this way with me, hun, we'll take this somewhere more private."
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Of course, when Jane walks in, it seems like a good time to collect said sister and go home, so he stops being a lurking creepster and actually moves out into the lobby, offering everyone a smile. "Hey everyone, Jane," he says, nodding in the woman's direction and flopping an arm around Lily's shoulders. Yeah, he's been ignoring her the past few days, but no need to let everyone know that. "I'd stay and chat, but we've got things to do and interventions to conduct." He gently starts moving Lily away, toward the door. No, she doesn't know that they're going to go forcibly drag Molly out of her room in a few hours -- well, she might now -- but not knowing things never really hurt her ( ... )
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She looks away, back towards the floor, the pictures of submissive. "It was nice talking to you, Ash," she says, clasping her hands together, and waiting for Kaden to make the first move to leave. It's all on him right now. It has to be, considering she screwed up.
She should have had more control.
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She leans down to pull out the alcohol bottle from under her bed when she's greeted with the sight of a girl under her bed.
Martha screams. She rarely ever screams or startles, but there's no possible way to react to someone lying unexpectedly under a bed.
"What are you doing?"
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It's always more important to ask questions than to answer them. She doesn't have to be nice.
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She pulls back.
"Mind coming out from under there?"
Because if she does mind, Martha is more willing to attempt to physically pull her out.
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That might be because she raided the entire building for alcohol, in order to replenish Owen's stash. But that was like, yesterday. There's certainly no alcohol, though. Martha will have to deal.
As for minding coming out... well, she doesn't feel like answering that. If Martha wants to try and deal with it, she can try. Extracting Matoi seems far easier than it actually is, though.
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Right now, she's headtilting at the rubble, trying to figure out what happened.
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The look at the rubble, however, is a look she's pretty sure she understands. She herself doesn't know the story, but still. She thought they'd at least do something about the damage.
"It's been like that the entire time I've been here," she says softly. The words don't out her as a Wanderer; even if she's positive the girl is part of the supernatural community, she doesn't want to run into the wrong kind of supernatural. Always play it safe until you can't anymore. "You'd think they'd have at least cleaned it up."
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"...I don't know why they wouldn't, though."
It seemed like a good explanation at the time.
She toes a little piece of rubble with the tip of her boot.
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And Japan might break her heart.
"I'm sure they have their reasons," she says softly, looking down at her toes with a small smile. She's not happy; it's been a long time since she's been happy. But it's way easier to smile.
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"Molly," he calls through the door. "If you come to the door I'll reconsider the fact that I'm not speaking to you." He's not really expecting it to work, but it amuses him to say, at the very least.
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She listens to the tapes and records at the same time. She stares blankly at the ceiling, speaking in a fast monotone, almost completely devoid of external stimulation.
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He tries the handle before digging anything to lockpick out of his bag, and to his surprise, it's actually open. Well, that's easier, at least.
He walks in until he's as close as he can get to his cousin without actually stepping on her, then looks down and smiles. "Hello, Satomi," he says, waving a hand in front of her face. "Time for dinner."
Okay, it's totally not, but he knows this could take awhile. And even if it doesn't, well, the edgier she is come dinnertime, the better he'll look in comparison.
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She's not sure if there's really a Kaden there, or if it's a figment of her imagination. She's not sure the last time she slept, so she's pretty sure it's the latter.
She reaches to her side lazily, grabbing the eyemask she occasionally uses while sleeping through extra-bright days, pulling it on.
Hey look. No more hands waving in her face. This is awesome. She'll keep with the recording now, kay thanks.
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