...that a small bunch of fans got together and put together their own fanfic archive - it has been known to happen, now and again - volunteering their time and using a donation model to pay for bandwidth and server space and it gets a number of submissions and a bit of a name among all the other fanfic archives out there, but it's not a household
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(Lavender Mafia? Boy, I've been out of the loop.)
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(about the dearth of women and persons of color in the OpEd stables - perhaps we can help you get syndicated? Anything we can do?)
http://www.commondreams.org/archive/2008/07/16/10396/
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There is nothing I enjoy more than seeing people become successful (and financially independent of "the Man") doing what they love.
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Me repeatedly banging my head on my desk. For a while there it seemed like each morning brought a newly frustrating and insane development.
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I mean, I don't have anything publishable, since I have only completed fanfics and political Allegories and humorous satires, but if I had, I wouldn't have known not to submit to Helix either, before this past week.
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OMGWTF?!??!!?!??!??!
Wow.
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My hearty sympathies to all involved. (Maybe even PP, who seems to have been doing a reasonable job in his/her/its archive-maintaining persona.)
we stay FAR away from the wretched hive of Freepers, scum and villainy
For the win.
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I seriously can't imagine anyone thinking they could *socially* get away with refusing to take down stories in fandom - altho' I think that Sanders' reneging on the $40 bribe demand is a good thing overall, since now there won't be the whole ethical conflict and stratification among authors over "do I/don't I?" - "Why are you still there? Why did you give in to blackmail and pay him for being a jerk?" messiness.
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Although, stripped of the allegory, it remains true that Sanders seems to have been doing a reasonably good job until unmasked.
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We're in a different world than the old publication world. A lot of editors and publishers were--are--cranks of some sort. Even if they weren't cranks, a lot of them were opinionated and controversial. In the old sf world one pretty much had to be opinionated and controversial to want to stay. But once a piece of work was published, that didn't matter so much--it was out there. And maybe later people decided they didn't want to work with the editor or publisher any more, but the work was still out there. The way work can disappear these days gives me the cold clammies.
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In this particular case, I can quite understand authors not wishing to be publicly associated with behaviour that goes distinctly beyond the merely opinionated and controversial, even within his own national culture. The association has become a discreditable one, not just a matter of personal dislike.
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