Набоков учил, что в повествовании от первого лица герой не имеет права умереть. У Грабала в "Поездах под особым наблюдением" герой-повествователь умирает за несколько страниц до конца. Грабал лучше, чем Набоков.
A distinct possibility. I am not playing a Nabokov advocate here anyway. Still, I consider his thesis valid as long as we are talking about some vaporous post-mortem existence of the character. Hrabal's protagonist dies entirely, as we all do or will do.
Hamlet is an amusing character but hardly an authority in the matter of death. Even Shakespeare isn't. God would be, but he is heavily handicapped by his non-existence.
Reply
Reply
Reply
Reply
Reply
Reply
Reply
Leave a comment