When I was a child I began making up versions of stories that I read because I wanted to be in the stories and I wasn't in them. There WERE little white girls, but they were little white girls with pigtails and two parents and good manners who never bit anyone, and I had fundamentally a very strong idea that I was the person sitting here and that
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I know that I tend to write a great many characters who are Like Me in certain obvious ways (often women, nearly all attracted to women, some with certain very specific disabilities), and even more so in less-obvious ways (a fondness for nobility, a sensitivity to guilt, a desire to prove they're not nearly as weak as other people assume they are). But I've often been averse to what other people present as "Look! People like you!" stories (especially when it comes to disability stuff), because I hate being wrongly described, and who other people assume I am by looking is not who I am on the inside.
Most of my early stories tied in with my fondness for bizarre overintense stuff, and my tendency to come up with vivid and weird mental images and then try to write the rest of the details around them. This seriously confused some of my elementary-school teachers.
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And now I know another reason Racefail pissed me off so much.
You mean APART from the bit where people started frantically attacking people of colour who didn't agree with their "this is how to feel about a thing" line as part of suddenly being champions of racial politics? :P
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we wouldn't have had the Harlem Renaissance without that idea.
I don't quite get how they're missing things like this: do they think changes in literature and art just happened because the established authors had a new idea and felt like pursuing it? Because that's never been how anything works. Ho and indeed hum.
The kind of reaction I get to the idea of 'don't like this? create what you want to see' is one of those litmus tests that helps me decide if they're someone that's gonna be good for me to know. Well it does very neatly sort out the whiners from the ( ... )
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