So far today I've not been able to bring lunch and the train got stuck in a tunnel (so I went on reading The Island of Dr Moreau and ignored it), my insides have fallen out, I've edited a couple of other people's draft posts on Faschionism, and my knees already make me wish I wasn't bipedal
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Go full Lawrence on it
This, this is brilliant. In every and all ways.
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I think there's something for getting yourself off the "I must be of X standard, or this is all a waste of time" hook in a way that allows you to keep going, and the details of how don't matter all that much. If "I'll never be that good, I'll write anyway" is what works, fuck what imaginary David Wong says about it. (And, should he express an opinion on this specific point, fuck what real David Wong says.)
You're my favorite poet. Does that count for anything? (Your stories are also really good.)
Totally go full Lawrence if that works for you!
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You're my favorite poet.
Up against some stiff competition, no doubt. ;)
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You bumped T.S. Eliot down to the number two position, so it's not too shabby.
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AAAAAH. ELIOT. MY NEMESIS.
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The problem is that the books that are published are aggressively commercial. Often, it is the writer who writes for a "market" rather than an "audience" who gets the nibble. Some basic ability to put together sentences is required, but ultimately that seems to be it. In the books that are published (at least in the genres that I read, not counting CanLit where the standards are much different), there's always the sense of singular (some might say myopic) tightness around the hook.
A lot of the fun stuff you might see in first drafts (e.g., plays with perspective) gets shredded and burned until all that's left is the heavily marketable essence.
Some might say you wouldn't be a good writer if you weren't asking this question.
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