Thing that annoys me greatly:
this article, which argues that the sonnets prove that Shakespeare was gay and found women repulsive Thing that annoys me equally greatly: comments to said article which are all "ZOMG NO SHAKESPEARE WASN'T GAY ELIZABETHANS WERE JUST LIKE THAT ABOUT MALE FRIENDSHIP."
*slaps everybody with fish*THIS IS WHY WE HAVE THE
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"I'm sorry, Will, I see here on your resume that you have boned some ladies and some dudes, but if there is any chance you might have liked one more, even slightly more, than the other, you are INSUFFICIENTLY BI." FFFFFFFFF, rage!
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I don't think Shakespeare's a misogynist, either--not that his ideas about women are necessarily feminist, but it's possible to confuse Shakespeare with his characters. And also, the misogyny on display in The Revenger's Tragedy felt to me like being slapped in the face (at least until it got so predictable that it started to be funny), so I can at least say, "well, Shakespeare doesn't feel like that."
Er. I apologize for this comment. My brain is in run-on mood today.
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And I also think that the argument that "well, obviously Shakespeare was able to completely 100% set aside his TOTAL LOATHING OF WOMEN to write a Beatrice or a Rosalind" is stupid, whether or not Shakespeare was gay (and of course even the terminology is anachronistic, though that might lead down the "sexual orientation didn't exist until it was invented in the 19th century" path).
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The first time I read The Revenger's Tragedy I was expecting something very different from what I got, so I took it all seriously at first! And then the penny finally dropped.
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Arguably he was bisexual, of sorts, but his heart was never on his straight side. Now is not the time to rehearse them all, but the arguments against his homosexuality are complex and sophistical
So..."I don't want to have to talk about anyone who disagrees with me," then?
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Oh, and in addition to what everyone else has pointed out: S130 isn't misogynistic junk, it's a very loving and tender expression of fondness for a real woman who doesn't conform to the then-current mass media stereotypes.
As for Fifth Act silence, I wonder if by then a small company (I've seen an estimate that Shakespeare's company numbered eight men and four boys) was out of boy actors by the time everyone's on stage for the finale--so they just had to stuff the smallest apprentice into Viola's dress and have her face upstage and hope nobody noticed, while the actor who played Viola doubled someone else who actually had lines?
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(I may still be feeling the residual rage from the poster in a fan comm I'm in who argued that a particular character could not possibly be queer because he has slept with women and has children. NEVER MIND THAT IT SAYS IN BLACK AND WHITE THAT HE SLEEPS WITH BOTH MEN AND WOMEN. And when that minor detail was pointed out to her, said "oh lol, I forgot about that, well, it's okay because it's hot." Grr.)
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