Over on Henry Jenkins' blog, there's a dialogue between academics Bob Rehak and Suzanne Scott all about RDM, Mrs. Ron and authorial power in BSG (read it in full
here or subscribe to the feed via LJ's syndication
here). And what really tweaked my interest was the identification of expanded canon (and the authorial control this implies) through new
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I think for me, it really depends on the fandom. I've always ignored Tolkien, for example, when it comes to what he actually wanted to do with his texts. I think it's because there's just so many versions out there, that I can just pick and choose which I like best, or make up my own.
With more modern stuff, I sometimes watch extras. I listened to the BSG podcasts in season one, and the directors commentary for Pirates of the Caribbean. But my policy if it didn't happen on screen/page in the actual text, it's not canon. I'll sometimes play with ideas from outside content if I like them, but otherwise, I don't give a shit about authorial intent. Watching the actors be goofy in extras is fun though.
When canon contradicts my idea of what it should be, I sometimes have issues, especially if I find the original canon credible or believable. I can dismiss a lot of what happens on Stargate because it's a light-hearted show for the most part, and there's ( ... )
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Like you, I sometimes adore commentaries. The Tolkien movies with the actors commentaries are great for listening to with a beer (or three). I should probably give the BSG podcasts a whirl, I know some of them are supposed to be great fun, but I'm still reluctant.
Like you, I think it's the prospect of ret-conning a serious and thoughtful show with all sorts of backstory I don't understand or which just plain seems to contradict the rest of what's shown -- it's painful to contemplate!
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I disagree with a lot of what they say about the BSG podcasts, though. Personally, I adore the 'casts (and I usually find Mrs. Ron's interruptions to be intrusive or over-explanatory of the obvious, heh). For me, it's a way to get insight into the creative process.
I think the degree to which a person is affected by these extras depends on how fixed their notion of a canon is, and whether they see it more as a "work in progress" or something complete from conception. There's merits to both views, and it's a scale, but today's close audience ties with creators opens the WIP end up more, which isn't always a comfortable thing for people to see.
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