From "Aristocrat's Joke" in The Aristocrats (2005):
( Read more... )

From The Muses and “Corpus” in Corpus:


( Read more... )

From “Spider-Man and Brother Voodoo vs. Moondog” in Marvel Team-Up (~mid-1970s):


( Read more... )

From “§1 Why Are There Several Arts and Not Just One? (Conversation on the Plurality of Worlds)” in The Muses (1994):


( Read more... )

From The Logic of Sense (1969):


( Read more... )

The academy has seen paradigm shifts from things (pre-modern philosophy) to ideas (modern philosophy) to words (post-modern philosophy or the linguistic turn) and now to icons (the pictorial turn).
( Read more... )

From The Trial of Gilles de Rais (1965):


( Read more... )

From Cinema 1 and the beginning of Cinema 2 (1983, 1985):


( Read more... )

From the first chapter, “Theses on movement: First commentary on Bergson,” in Cinema 1: The Movement-Image (1983):

What is movement, for Deleuze? How does it help us differently understand aesthetics? We are using a special notion of movement wherein a “curve” is “a moving straight line” (4). Movement might be described as a certain inflection ( Read more... )

From “Panopticism” (1975):

We can see that like Benjamin, Foucault is invested in distinguishing our modernity from previous historical epochs with respect to vision and the masses, but with significantly different terms, “Antiquity had been a civilization of spectacle. ‘To render accessible to a multitude of men the inspection of a small number ( Read more... )