Back from "The Slutcracker"

Dec 13, 2014 00:45

...which I enjoyed immensely.

One thing that I went into the show not knowing, just because I never thought to ask and no one thought to mention it: The Slutcracker uses the entire Tchaikovsky score of The Nutcracker. I had no idea that was the case. I'd assumed it was the dance equivalent of a jukebox musical and had a storyline vaguely relating to The Nutcracker. I was wrong. You could have knocked me over with a feather.

Every time I hear "Waltz of the Flowers" from now on, the first thing that comes to mind is likely to be the fantastic stripper ballerina flower fairy dancing a solo in purple and green underpants and pasties (who I learn is called the Wet Spot Fairy) and, you know, that's a pretty cool image to have in my head. (And the Russian Dance has likewise been overwritten by the whip-cracking dominatrices, but that came even more easily since the whip cracks have been in that music since it was created.)

My word, that man in the pink sparkly penis-themed costume was an exceedingly agile and graceful dancer.

The "Dance of the Reed Pole" stripper-pole sequence was the most amazing thing in the show. My respect for strippers' dance skills has increased. We just saw a dancer hang five feet in the air, swaying horizontally from the point where the inside of one knee gripped the pole, and whip off her top with a gesture that said "Whee!" Most people in that pose wouldn't be able to convey "Whee!" with the joy that she did. I'm frankly boggled.

theater, dancing, performing, the slutcracker, burlesque

Previous post Next post
Up