When it comes to BtVS, I'd promised myself that I would not write on my own journal here about subjects that are generally quite well-worn and have been discussed at length - and with great intellegence - by other people. Nevermind that I'll rant or blather at length about a variety of subjects (the comics, the episode AYW, etc etc) on other people
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OOOOH. I'm glad you did decide to post because I've never seen this point brought out before but it sounds exactly right. And I really, really like the comparison with her experience with Faith.
I'm not negating the sincerity of the apology to Spike, but she is apologizing to herself at the same time.aw, yes. She really can't make an honest apology until she's started to forgive herself, really ( ... )
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I'm glad you did decide to post because I've never seen this point brought out before but it sounds exactly right. And I really, really like the comparison with her experience with Faith.I actually had to have that pointed out to me - I watched the scene and TOTALLY missed the fact that Faith was really raging against herself, (not against Buffy -in-Faith). When I was first watching a few months back, I was also reading Noel Murray's reviews on the ATV Club, and someone made note of that in the comments. (I felt foolish for not catching it.) Fortunately it's an episode that rewards multiple viewings. I hope to do some meta on that episode more specifically ( ... )
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Agreed; and I noticed that in S1-2 as well, in terms of Buffy not being "out" to her mother. Again, I didn't take it as a direct commentary on being gay, but simply borrowing the concept of "in the closet". (I've seen people argue for and against that reading.)
I think in the '80's there was a resurgence of vampire films (The Hunger, etc) that seemed to be using vampires as a metaphor for fear of AIDS (a least, I read a lot of commentary at the time that indicated such); and of course there's the gay subtext (and context) of Anne Rice's work.
I don't think that's what's going on here in BtVS however; and I never read the vampires in this show as a metaphor for an oppressed group, though I'm sure some people do.
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I wanted very badly for Buffy to come to the realization that her feelings for Spike, in and of themselves, weren't evil or sick or wrong. (If she'd allowed those feelings to influence her into letting Spike's evil deeds slide, THAT would have been wrong, but that's not the same thing.) But she never does.
Agree to disagree? I see her actions towards him in S7 as proof of apology and having learned - this after her verbal apology in AYW, which is the first time she acknowledges him as a person, even if the apology is not perfect it's a first step. I don't see his soulquest as fixing anything by itself nor is it, IMO, his redemption all on it's own. In any case, her actions to me (including words like "I believe in you"), which help him heal on several levels, is all the proof I need personally.
the writers ( ... )
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Sure; I know I'm in the minority in that opinion.
I don't think that Spike getting a soul was his redemption (I was shipping Spuffy when the show was first airing and it was inconceivable that Spike would ever get a soul!) but I do suspect it's the main/only reason Buffy was willing to help him in S7. Him having a soul now made it acceptable for her to help and forgive him. If he'd tried to get a soul and failed, or if getting a soul hadn't been an option for some reason, I think she would have been perfectly willing to let him rot in the school basement. And I'm not sure how I feel about that.
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Fair enough. As I mentioned, I tend to feel the similarly about Willow in S7 - has she learned her lesson about what she did to Tara and why it was wrong? So I don't know why I feel ok about one and not the other, except that I'm pretty Buffy-centric by that point, and maybe I think I see more in the Buffy/Spike interaction that I'm ok with. And I completely buy her reluctance at first because she doesn't know what she'd be getting herself into - she's starting off life on a positive, sunnier note when he comes back to town, and I'm sure she's not wanting to go "back there". But we've discussed all this upthread, so I'll stop beating the poor horsie.
If you happen to be a viewer who is completely confident that you know what's going on in Buffy's head at all times, it' ( ... )
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But if you look close, you can see where they were doing setup for a possible Dawn spinoff early in the season (all that back to high school stuff, giving her a gang of friends who were never sean again), and a Slayer school spinoff mid-season. But the ( ... )
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Buffy was obviously concerned with Spike when she saw him crazy and with scratches on his chest in the basement, when she had no idea he had a soul.I'd add - and this was inspired by Barb's comment above - the scene in Beneath You, specifically, where Buffy follows Spike to the church. She's seen him behave in a violent, insane manner; when he screams "help me" she dismisses him at first because priority #1 is helping Richard, who's injured and in shock. Only after she's made sure help is arriving and Xander and Anya are there to stay with him does she go after Spike (priority #2) to find out what's going on with him. Which actually seems like a pretty foolish thing to do - or would be for an ordinary woman, but of course she's the Slayer. She can "take ( ... )
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Are you? I'm sure I've seen others voice a similar opinion; I guess it just depends on which site one happens to be on. But you'd know better than I, of course.
How embarrassing is it that I only just now figured out that's Harmony on your icon and "got" it? (I assume the text actually refers to her on AtS, which I haven't see - thus my excuse.)
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I have a sad affection for Harmony. *g*
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