Да, тут вы пожалуй правы. Надо переформулировать. Вуди Строд, конечно не ноунейм, но вы только представьте себе если бы против Гармоники вышла бы тройка из трилогии. Это было бы прекрасное завершение вестерновой эпопеи Леоне. А так ему пришлось заходить на еще один круг и снимать совсем квелый "Меня зовут никто".
The original core for My Name Is Nobody dates back to 1970. As Sergio Donati explained, "My Name Is Nobody" was born from an idea (of Leone’s brother-in-law [Fulvio Morsella], bear in mind) to which I contributed too, at an early stage. It was, as is evident from the title, which never changed, a Western adaptation of Homer’s Odyssey, where Ulysses was a Confederate prisoner escaped from a Union concentration camp who returned home after endless adventures, only to find his farmhouse invaded by Yankee carpetbaggers who courted Penelope. Massacre ensues, like in Homer. The End."3 The many references to the Odyssey ("We had everything in there: Circe, the pigs, the Cyclops, even Penelope with the bad guys…") were then put aside and the project changed shape, becoming "essentially a productive-commercial operation because Sergio wanted to cast Terence Hill...
Leone then got in touch with other scriptwriters and eventually settled on Ernesto Gastaldi, who recalled his meeting with Leone as follows:
Я имел в виду не столько ноунейм актеров, сколько ноунейм персонажей. В фильме это просто какие-то непонятные типы без истории, а если бы на станцию пришли бы Хороший, Плохой и Злой, то про Гармонику многое бы стало понятно.
Angel Eyes, вроде, никому не мстит, обычный Gun4Hire.
"Duck, You Sucker!" не вестерн?
Ну и Woody Strode не совсем noname для 60-х.
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Следующий фильм самого Л. был "Duck, You Sucker!".
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The original core for My Name Is Nobody dates back to 1970. As Sergio Donati explained, "My Name Is Nobody" was born from an idea (of Leone’s brother-in-law [Fulvio Morsella], bear in mind) to which I contributed too, at an early stage. It was, as is evident from the title, which never changed, a Western adaptation of Homer’s Odyssey, where Ulysses was a Confederate prisoner escaped from a Union concentration camp who returned home after endless adventures, only to find his farmhouse invaded by Yankee carpetbaggers who courted Penelope. Massacre ensues, like in Homer. The End."3 The many references to the Odyssey ("We had everything in there: Circe, the pigs, the Cyclops, even Penelope with the bad guys…") were then put aside and the project changed shape, becoming "essentially a productive-commercial operation because Sergio wanted to cast Terence Hill...
Leone then got in touch with other scriptwriters and eventually settled on Ernesto Gastaldi, who recalled his meeting with Leone as follows:
When Piero Lazzari introduced ( ... )
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