I watched
The Girl Who Lept Through Time a few nights ago. It is perhaps the only work by Madhouse that I like without reservation -- excepting, of course, films directed by Kon Satoshi, though even that doesn't
always save 'em. Sure, it starts with a textbook cliché... assuming your textbook is Even a Monkey Can Draw Manga, and the passage from
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Progress continues on evaluating Burning Yet, by which I mean I borrowed Mouse Guard off Buddha. And put off reading it again, instead frying my brain with three hours of the marvelously, transcendently stupid Code Geass.
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I also need to see Tokikake, as the cool weeaboos call it.
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