There is no set canon. There never has been.
Unlike many other legends that have been retold repeatedly, there’s no unified original text for the stories about Arthur and his associates. Bear in mind that for most of their history, the Arthurian legends circulated orally and through manuscripts; just as oral traditions can vary over time, different
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Alas, Wolfram von Eschenbach! The Lady Kundry - his version, not Wagner's - is probably my favourite character in anything ever.
(now back to reading your list, just wanted to mention that first. :))
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It was hard, but brevity is not my strength and I was really striving to keep it a manageable length. And unfortunately the show Merlin, like most Arthuriana in English, tends to ignore the German sources...I hope you enjoy it despite these omissions.
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As a German, Parzifal (or Percival, or Peredur, as he also often ends up) is one of the characters I'm of course most familiar with, and I like him a lot, especially since he's so flawed. When I was little, I had a rather well-read abbreviated and simplified version of Eschenbach's epic, and a lot of things, such as his childhood and the story with the songbirds, are still vividly in my mind.
Have you ever read Philip Reeve's Here Lies Arthur? It's a very interesting modern treatment, an extremely ambitious YA novel, with emphasis on gender and the fluent relation between truth and lies and myth building. It has a crossdressing heroine and rather unusual versions of most of the characters.
(Finally, thanks for mentioning Bradshaw, I used to love her trilogy so much!)
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Especially interested (predictably, heh) in how Guinevere's been portrayed from the very beginning.
I'm going to check out some of this reading for sure - thank you so much for putting this together and for your thoughts at the end when it comes to Merlin/the things that are new (or not new). They're playing with a lot of recognizable elements from various legends, but it's pretty clear they're not exactly retelling any particular one. I kind of enjoy how they toy with viewer expectations and it'll be interesting to see how many of our expectations will be subverted in the end.
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And the way Guinevere has been portrayed over the years is endlessly fascinating...Her portrayal in the show is one of the few elements that does feel genuinely new in this treatment--both making her a servant (historically the legends haven't been very interested in class) and in the emotional journeys of the character--growing from a shy woman into a more forceful figure who rescues others, and from a character who hides her emotions and vulnerability to one who allows and takes risks on intimacy.
I also love the way the show plays with viewer expectations. Many recent retelling use the same technique, making the audience (or, in cases like the fun and fluffy YA book Avalon High, genre-savvy characters) think that ( ... )
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This fascinates me because class permeates this show and the character dynamics on almost every level I can think of and it adds a lot of interesting layers. I wonder what made them focus so much on that. (I'm glad they do.)
Gwen's emotional journey on Merlin is really satisfying to watch even though it doesn't get much screentime - especially since we don't get much of her side of things historically until some of the other modern versions. But yeah, watching her grow is just about my favorite thing on the show. ♥
(You should link this at onceandfutures, if you feel like it! I think quite a few people would love to read a roundup like this that flows so cohesively over the years -- and anything Arthurian that touches on either or both Arthur and Guinevere is more than relevant. *g* Also, I messaged you back re: crossposting at the Fleet.)
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But I do think that the older (read: medieval) versions of the story can be very hard to follow or disentangle, and I wanted to put together a resource that would work for people who haven't spent years of their life working with medieval lit. Glad you enjoyed!
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