ETA: Entry unlocked in the unlikely event that non-LJ folks might be interested in reading my impressions of the exhibit.
Having bid a fond farewell to
drbunnyface and
capeman this afternoon, I collapsed for what turned into a relatively long nap. It's been a lovely, sleep-deprived, overindulgent weekend and I will be shamed to give my wellness update for the week
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Comments 28
But the most of the exhibits I think increased my feeling that human beings are something wonderful, rather than reduced us to lumps of meat. I love your description of a 'gallery of awe' - that's exactly what I felt walking around. The sheer mind blowing complexity of what goes on under our skins is utterly amazing, and beautiful.
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I think the figures who are recognisable people, with intact faces, or tattoos on their arm or whatever, are disturbing on one level.
And the pregnant woman worried me because I felt concern about her as an individual - what disease did she have that she knew would kill her in mid-pregnancy? (Thus enabling her to give her consent.) And given that she knew she was dying, and her child with her - why was she willing for her unborn child to be plastinated in her womb and displayed to the world?
I would still say see the exhibition if you have a chance - it will really make you think about what's under your skin, and how utterly amazing it is.
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The MSI has for decades featured cross-sections of human cadavers in glass (in the stairwell) and as far as I know no one had anything to say about it. In the 1970s when I was pregnant I used to love to go look at the "pickled babies" -- real fetuses preserved in glass jars which had been there at least since the 1940s and perhaps longer. Then one day there were all sorts of warning signs around them and the next day they were gone. Some might say this means people are more sensitive to the ethical issues about respecting human remains. I just don't feel this way and it's hard for me to understand why people do.
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It's a strange "I don't know what art or science is, but I know what it isn't, because I refuse to look at it." A substantial chunk of the exhibit is simply a new, better way of doing those kinds of cross-sections (we used traditional sections to teach and learn, and it's hard to convey the improvement in clarity and detail of the plastinated sections) and isolated organs or joints. People don't seem to respond negatively to that, it's the full-body specimens that preserve the individuality that seem to just drive people crazy. One thing that struck me as odd was that the only artificial parts of the specimens are the eyeballs (which preserve very poorly by any means), and rather than leaving them out entirely, they bothered to put in fakes.
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You'd seriously enjoy it, I think.
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I mean, at all.
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Thank you for posting this. I don't know that it would have occured to me to go if I hadn't read this. Now I can't imagine not going.
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