Well, not really. But she does, in her own gentle and indirect way, explain why "realistic" steampunk, which shows the horrors of Victorian life for the proletariat, isn't that common and is rarely popular when it does show its head. Basically,
nobody wants to read itAnd I'm totally on board with that argument. People read fantasy (and let's face
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I suspect the people behind C&S had watched "Monty Python and the Holy Grail" and took seriously the scene in which one peasant tells another "There's the king." "How can you tell he's the king?" "Because he's not covered in shit."
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As for elaborate character creation, if I wanted to play a game like that, I could play Traveller or one of the later editions of D&D. No wonder I never played C&S!
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You have made my head hurt what with the hysterical laughing and falling on the floor. (I may be taking your line the wrobng way, though.)
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Of course, the reason it's better is because fiction is controlled by a writer, but all real life has is a Director.
Which is why there are so many explosions, no plot, and the star is the director's girlfriend's illegitimate sonD
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