Good one. Maybe it's the age I was reading them at, but I generally prefer the NAs over the EDAs (except when they're being "dark'n'edgy" purely for the sake of it, which to be fair is quite a bit of the time), and as others have said the main thing this one has going for it is its worldbuilding and the light it sheds on the various characters. Mind you, I am generally a big fan of Aaronovitch's Who writing from Remembrance of the Daleks onwards - too bad there wasn't more of it (I understand he had some major problems with writer's block, which I can only sympathise with).
I generally prefer the NAs over the EDAs (except when they're being "dark'n'edgy" purely for the sake of it, which to be fair is quite a bit of the time) That kind of sums up my feelings. The VNAs I think are stronger books but I prefer the character work in the mid-period EDAs (The Burning-Time Zero). Then again I probably prefer the character stuff in the mid-period VNAs (No Future-Shakedown) as well.
I am generally a big fan of Aaronovitch's Who writing from Remembrance of the Daleks onwards - too bad there wasn't more of it (I understand he had some major problems with writer's block, which I can only sympathise with).Yeah I really like his stuff too, he has such an amazing ear for dialgoue and inventive ideas. I remember reading back in 2010 that he couldn't get any of his scripts off the ground and was actually working behind the counter in Waterstones
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That kind of sums up my feelings. The VNAs I think are stronger books but I prefer the character work in the mid-period EDAs (The Burning-Time Zero). Then again I probably prefer the character stuff in the mid-period VNAs (No Future-Shakedown) as well.
I am generally a big fan of Aaronovitch's Who writing from Remembrance of the Daleks onwards - too bad there wasn't more of it (I understand he had some major problems with writer's block, which I can only sympathise with).Yeah I really like his stuff too, he has such an amazing ear for dialgoue and inventive ideas. I remember reading back in 2010 that he couldn't get any of his scripts off the ground and was actually working behind the counter in Waterstones ( ... )
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