Perhaps I should stop reading the
links that come down via
metafandom ...I imagine that for every second-language writer there is a moment of choice, and then, after that, probably many additional moments of choosing.This article, of course, is not to discount the value of bilingual writers. There's nothing condescending about the remarks about how they'
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I do agree with what the article said about translations. There's a definite paucity of them about and the mass market bestseller types (Christian Jacq is the worse example) seem to have been translated through Babelfish. It's so rare to find a good translation these days.
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I made the "choice" to write in English because, um, I only ever read English books. As a result, I *know* how to write in English. Sit me in front of a piece of paper and tell me to write in German and I will stare at you blankly. Sure, there are plenty of deep allusions and stuff you can make in German, but there are those in English as well! The difference is that in English I have a chance of using them!
And for the love of god, polysemy is just polysemy. Stop patting yourself on the back because Hebrew uses one word for a number of connected concepts where English uses several. All languages do that. It does not make Hebrew superior, which is sort of the vibe I'm getting here. I can grant it might make things difficult if you're writing multicultural stuff, but not all of us have to do that, k? That stuff is difficult *when you translate*. If you're writing in that language TO BEGIN WITH, the problem never bloody well arises in the first place.
Of course, I wouldn't really consider myself bicultural, because I didn ( ... )
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And here I thought the only things I couldn't participate in because my existence would mess them up were the studies about accents and second language acquisition. :( (I fall into a very weird grey quantum area in between native and non-native, having learned English when I was five.)
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