So, back when I was writing my International Relations paper, I decided to procrastinate writing said IR paper. Instead, William came up with the rather brilliant idea of setting some major theoretical approaches to IR to music -- classical music, specifically. The following is what resulted.
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what will come next: me rambling about biochemical processes in time to music. :)
I'll download the music when I get time.
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That said, ooh, guess what? I might - might - get the chance to go to Georgetown this quarter! Although I'm not too sure about it yet because my schedule this weekend is laxer to a limited extent. I'll have to see how everything goes.
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Ooh, that would be exciting (may I ask what for?). If you do come, let me know. :DD
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Also, if you'll believe my music prof, the Eroica was as much about a heroic man (himself) rebelling against the musical norms of the classical period as it was about Napoleon. But then again, he also believes that the entire romantic period started with one note in the Eroica. :p
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Also, I wholeheartedly approve of the use of Holst, Stravinsky, Berlioz and Ravel. *Band geek stamp of approval goes here*
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Now that's what I like to hear! Hope you enjoy. :)
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