So, I was talking with my dad about Macbeth tonight, and Dad was reminiscing about the time he was cast in a school production as the porter because he had the most working-class accent.
It suddenly occurred to me then that I've never, in any stage or screen adaptation of Hamlet, come across a Horatio with a working-class (or at least, not-very-
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I suppose Horatio probably would pick up a posh accent from Wittenberg; or, if not that, from hanging around the bloody prince of Denmark for a bit too long ( ... )
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Ooh - I thought about the affectation angle, too! I mean, we know from his use of "you" vs. "thou" etc. that he's pretty class-conscious, so that could be a pretty interesting thing to try in a performance. Except that Horatio has never really struck me as someone who tried very hard to impress anyone. I think if he was, Hamlet wouldn't have taken to him, because he has nothing but contempt for toadies. (Possibly a reason he likes Horatio so much, because he'd be so different from the sort of people Hamlet would be used to at court ( ... )
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Admittedly, the more I think about it, the more I'd prefer to see a Horatio who really is set aside because of his accent, because you're right - Hamlet would like him more because of how different he'd be from the rest of the court that the prince is used to ( ... )
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