I've been gradually picking my way through
Warren Ellis's and
Darick Robertson's much-ballyhooed
Transmetropolitan series as my whims and the vagaries of the inter-library lending network permit; I think I'm a little too old and a little too inoculated by having read a fair bit of
Harlan Ellison for this series to really hit me where I live, but it
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Rereading Transmetropolitan with that perspective was fairly painful.
I was actually thinking about Harlan Ellison and Warren Ellis in that "when I grew up I put away childish things" way and how much these guys' work is tainted by their horrible personalities. There are other artists who are terrible people and great artists (Richard Wagner and Cat Stevens and Roman Polanski) and then there are artists whose art sucks because of their terrible personalities.
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I also like The Authority and, to a lesser extent, Ellis's run on The Authority's predecessor, Stormwatch. (Although if Bryan Hitch and Paul Neary didn't draw most of Ellis's run on The Authority, I probably wouldn't have liked it as much.) His stints at Marvel (Iron Man: Extremis; Nextwave)? Not so much.
I think I've come to realize that Ellis is at his best when he limits the amount of his screeds and "humor" (which isn't to say that there aren't funny bits in Planetary ( ... )
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Archie Goodwin got mad props across the spectrum for being a super nice guy, and maybe he was one of comicdom's best editors ever; but his stories that I've read never rose above middlebrow entertainment, and often didn't quite reach that level. (Although I quite liked his two-part arc with the Vulture and the Hitman in Peter Parker, the Spectacular Spider-Man Vol. 1, #4-5.)
John Byrne and Jim Shooter seem to be asshats of the highest degree, and yet I still like Byrne's Fantastic Four and his art on pretty much everything I've seen, while Shooter mostly succeeded with his "Korvac Saga" in The Avengers (although I could do without the endless homages/pastiches/iterations of it, at both Marvel and DC...), and had a short run on The Avengers afterwards wherein he had Hank Pym flip out, get divorced by Janet Van Dyne, and ( ... )
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