A link on
linaerys 's journal has proved most interesting. I do not necessarily agree that X-Men: First Class plays up the X-Men as the Jewish other, but that's an experience-dictates-impression sort of deal, I suspect. This is the part that I liked the most:
Rather, what troubles me about the film is that it feels like yet another expression of an
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Absolutely, but I think that's as much from the writers not really justifying their (and Xavier's) assumption that Magneto is a villain. This is a case that, no matter what they said, the audience knew better. And we did.
Killing Shaw will not haunt his dreams or tarnish his soul any more than has already happened. It might give him closure; it definitely will make sure an evil psycho is safely dead so he can't try to end the world again.Brava, well said. There are some souls you can save, and there are some that would take a lot of work and probably wouldn't appreciate your efforts. If you've got those people, and they can take the burden, it does no good to vilify them if they're not bad, just tainted ( ... )
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Another brilliant observation, and one that really illuminates why, when my roommates and I were sort-of disagreeing on any one point, we couldn't really agree or disagree because we had to make a lot of assumptions about what the movie thought it was doing, what it knew it was doing, and what it didn't know it was doing. A mystery wrapped in an enigma...
Your points about gender, race, and religion are particularly devastating and clever and teeth-grindingly annoying. With the issue of gender, I think it's pretty clear that the movie has no idea that its attempts to satirize or mock the sexist attitudes of the 1960s are completely undercut by having every woman be either naked or in her panties in the movie. The issues of race are more troubling and harder to pin down. They are clearly aware that black people would have an issue with slavery (hellooooooooo slow pan to Darwin), but not what the effect of having a ( ... )
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Well first of all, I was never a fan of Jack Bauer.
I also think our justice system has always been somewhat lawless.
Nevertheless, even when our system is at its worst, it still has more legitimacy than, say, the Punisher. Even when George W. Bush threw someone in Gitmo for indefinite detention without trail, he was still President of the United States and had more legitimate authority than a random guy in a unitard. At least we elected Bush (the second time, anyway...)
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Iron Man is another brilliant example because, in part, it does engage with the moral strangeness of heroes who kill. It has to because Tony Stark, though he had never lifted a hand to kill a man himself, is the author of untold and unimaginable levels of butchery. He is one of the rare vengeful victims who is not a villain. It doesn't come with the weight of being a Holocaust survivor, but Stark's experience in Afghanistan (in the movie; Vietnam in the comics) is one that completely twists and breaks him as a person to the point where not only is his need for revenge understandable, it's righteous. And the people against him are no less cartoonishly evil than Kevin Bacon's character in X-Men: First Class, so ( ... )
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The uniting features of these movies seem to be that you start with someone with problems and rebuild them so that their strengths overcome (or at least subjugate) their weaknesses. It's a very relatable story, and one in which the heroes who reform don't get better because of being rich/being an alien, but because they work on it? I can see why that's compelling.
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It is emphatically not the story of Hero Xavier trying to reform Villain Erik -- it's the story of Hero Charles and Hero Erik, the former clearly condemned for his repeated failures of vision and tolerance of hypocrisy in himself and others, the latter repeatedly shown as heroic but tortured. still mentally in that horrible room with Shaw. The film is for and against both of them, crying out for the synthesis of their methods and ideals, said synthesis only partially arriving when Xavier turns against the government to go it alone using the Erik-inspired active means but refusing to adopt Erik's ethos of absolute opposition ( ... )
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You're not wrong. The failure of the movie, as I see it, is that this is supposed to be villainous, but Magneto's kind of entirely justified, even once he becomes mini-Shaw. He says humans suck and they fucking suck. Shaw is unquestionably villainous because he wanted to kill humans unprovoked. Magneto has been nothing but provoked, and in the seminal moment in which he starts to embrace the militant anti-human sentiment, the humans prove him right for doing so by being enormous cocks. Yet he's still the villain ( ... )
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