I seem to be picking up resonant novels lately, which I presume is accidentally-on-purpose as far as my subconscious goes. First there was Black Swan by Mercedes Lackey, which had some very familiar dynamics in it to do with wanting to do the things that please someone, even while you maintain an apparently completely individual sense of self. And
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(I did rather like Obsidian Butterfly, largely because it had so much of Edward and so little of the other, largely irritating, supporting cast. I very nearly gave up the series in disgust with the book before, in which she agonises for chapters over the moral consequences of non-monogamy - but cheerfully tortures without a seconds indecision or remorse. )
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When I first read the Anita Blake books, the moral conflict over non-monogamy was interesting, partly because it was (at least initially) well fitted to the character's moral compass, but also because it was quite relevant personally. Now that it's no longer a great drama or conflict for me, and her moral compass has shifted significantly (as you note), it's much less interesting.
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The endless wrangling over monogamy was OK as a character conflict, though it did start to seem rather contrived (which isn't necessarily unrealistic), but it was the contrast with the torture. It made it rather obvious, to me, that both LKH and Anita appeared to have no actual moral depth whatsoever, reducing all her moral waffling to the self-involved dramatics of a sociopath. Which, you know, rather reduced the books appeal to just the plot and theatrics and occasional decent villain, as pretty much all the lead characters are moral vacuums.
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