In fact, Matt finds he has ample time upon finishing the Guinness to pause, and swallow, and look at Rache.
And look at the glass.
And look at the nightstand.
And ultimately drop the glass as gently as possible onto the ground-- though gravity is more or less an equal-opportunity force of nature, and so it makes an unseemly noise.
He's dangerous in ways he might not want to cop to, but it's a fact he's dangerous, and it's an additional fact that Matt has an ever-lengthening history of making dubious sex-partner-related decisions.
He remembers thinking this is me. He's still not sure if he was wrong.
All of this is to say that he tilts his head and reaches for Rache's shoulder, swaying deeper into their kiss.
Matt draws in a quick, very deep breath, as if he's preparing to hold his breath underwater.
And laughs, faint and like a gasp. By now, one of his hands is at Rache's arm and the other one is poised at the back of his neck. His fingers brush curiously at the ends of Rache's hair. (Or beginnings, he supposes. Now is not the time to get semantic.)
(He's a longtime bookworm, albeit not in the traditional sense. He can dig it.)
"Ah," he says, of the Shakespeare.
"Did you ever get to the end of Julius Caesar?"
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And look at the glass.
And look at the nightstand.
And ultimately drop the glass as gently as possible onto the ground-- though gravity is more or less an equal-opportunity force of nature, and so it makes an unseemly noise.
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Rache sounds positively mournful.
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Especially with all the beer gone.
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Kisses, for example.
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Matt is really incredibly happy with kisses. His tongue may help to convey some of this.
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He's dangerous in ways he might not want to cop to, but it's a fact he's dangerous, and it's an additional fact that Matt has an ever-lengthening history of making dubious sex-partner-related decisions.
He remembers thinking this is me. He's still not sure if he was wrong.
All of this is to say that he tilts his head and reaches for Rache's shoulder, swaying deeper into their kiss.
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Even Matt.
By which we mean that Rache slides his free hand into Matt's hair and kisses back until the need for breath makes him stop.
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And laughs, faint and like a gasp. By now, one of his hands is at Rache's arm and the other one is poised at the back of his neck. His fingers brush curiously at the ends of Rache's hair. (Or beginnings, he supposes. Now is not the time to get semantic.)
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He arches his neck into the touch with a faint, encouraging sound.
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He groans softly at the increase in pressure.
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"'S nice."
In case that wasn't clear.
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His fingers keep kneading, but he draws his nose down Rache's cheek and presses a kiss to his jaw.
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