It's ironic, I think, that the Stendhal Syndrome seems to be considered an obstacle
Charles is being a little facetious there. But there is a sense in which any real epiphany comes with a cost -- there's a lot to take in, and it can be overwhelming and exhausting (just like a trip to the art galleries of Florence). His advice to go see a movie and relax is probably wise, although Joel may not take it. ;-)
I am giddy with delight that you "got" this chapter, anyway, because I posted it late last night and thought it was weak and disappointing and improbable. It looks a lot better today.
Yeah, that makes sense. The true mark of any prophecy or revelation is how much it takes out of you, I think.
I've had the experience of having abolutely no idea if what I was writing made any sense, and turning it in convinced that it was crap and terrible and no one could like it and GOD why didn't I get it done sooner. Oddly enough, I think I might have done some of my best writing while in such a state.
This chapter was marvelous. It is a great joy to watch Joel emerging as a remarkable young man and doing it in ways that no one expects. He is not being molded by any of his therapists or mentors -- he is materializing from the Aphanes of his own paralysis into vivid, passionate engagement.
I'm really happy to hear this. Writing recovery and redemption is a lot harder than writing destruction and misery, and this is exactly the point where I've been worried about dropping the ball.
I originally had something completely different in mind for Joel, but he's had his own ideas. The sense of engagement, though, is exactly what I wanted.
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Charles is being a little facetious there. But there is a sense in which any real epiphany comes with a cost -- there's a lot to take in, and it can be overwhelming and exhausting (just like a trip to the art galleries of Florence). His advice to go see a movie and relax is probably wise, although Joel may not take it. ;-)
I am giddy with delight that you "got" this chapter, anyway, because I posted it late last night and thought it was weak and disappointing and improbable. It looks a lot better today.
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I've had the experience of having abolutely no idea if what I was writing made any sense, and turning it in convinced that it was crap and terrible and no one could like it and GOD why didn't I get it done sooner. Oddly enough, I think I might have done some of my best writing while in such a state.
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Yowza.
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I originally had something completely different in mind for Joel, but he's had his own ideas. The sense of engagement, though, is exactly what I wanted.
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