❶ Reply here with a pairing/one of my characters and a bunch of people
❷ Pick a
theme set from the
1sentence writing challenge meme
❸ I write 50 sentences (feel free to specify a rating!)
❹ PROFIT
My guys:
tntandgasoline > The Joker
cannotemotealie > The Emoticon
iknowucan > Ryan Evans
takeitoutofpark > Hikaru Sulu
hatsandguns > Jayne Cobb
nopodbaydoors > HAL-9000
aaaadventure > Flapjack
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1. WALKING;
Neither Sulu nor Ianto can miss the irritation on Jack's face when Sulu stops by to wander around Cardiff with Ianto; instead of letting the man sulk, Sulu insists he come along and doesn't take no for an answer.
2. WALTZ;
Trying to dance around Ianto and Jack's borderline-ridiculous issues is almost impossible and so, eventually, Sulu gives up and confronts any tense moment between them head on.
3. WISHES;
It's not that Sulu doesn't like Jack, really, but he wishes the blockhead would catch himself before hitting on him in front of Ianto (no matter how harmlessly)...
4. WONDER;
...He also wonders how Jack feels when Ianto starts to sort of do the same.
5. WORRY;The general concern when they take to going to bars ("pubs," Sulu reminds himself) is that one of them is going to drink too much ( ... )
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It's like a weight off his shoulders when he finally explains to Jim the whole situation; he gets kindly chewed out for not telling him sooner and then made fun of for going from gender-neutral nouns to plural he, but at least he told the one guy he swore not to keep secrets from.
19. BALCONY;
When Ianto and Jack start for each other's throats for whatever reason, Sulu gets very tempted to hide out with the pterodactyl until they calm down.
20. BANE;
When Sulu's unable to get away from the Enterprise for a while, he becomes the bane of Ianto's existence - it's amazing how he can find all varieties of alien costuming (most of it meant for females) and Sulu really enjoys sending them to Jack to surprise Ianto with.
21. QUIET;
Sometimes, Sulu thinks that he likes Jack best when he's asleep.
22. QUIRKS;
Sulu has a habit of waking up early and leaving before Jack or Ianto can wipe the sleep out of their eyes - it's not them, it's just how things have to be, as far as Sulu can tell.
23. QUESTION;Ianto asks ( ... )
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It's a terrible thing to think, but Sulu's pretty sure that this is going to fail, especially when considering statistics; he thinks too much about it sometimes, to the point where people physically stop him and ask what's wrong (he always tells them that it's nothing, even if it's Jim, because this is one thing he has to keep to himself).
38. SOJOURN;
The Enterprise crew gets shore-leave on an absolutely amazing, lush planet for a week; for one of those days, Sulu has Jack and Ianto stay with him, just to see what the place was like.
39. SHARE;
It becomes apparent to Sulu that none of them are really that great at sharing, though it's at different levels and for different reasons.
40. SOLITARY;
Given the fact that Sulu used to spend so much time alone in the botany lab, it's surprising when he starts eating with people and chatting with them - one of the positive influences of having two people around you constantly, he supposes.
41. NOWHERE;"Nowhere I'd rather be" is such a trite exclamation, but Sulu ( ... )
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Lisa takes as long and convoluted a route back to the hotel as possible, but she can still feel him following her - no matter how improbable it is, he seems to have found her.
2. WALTZ;
"I heard," he says to her over the community, "That I'm supposed to like dancing - uh, with the devil, I think - and I wonder if you're supposed to dance too."
3. WISHES;
God, if only he would leave her alone!
4. WONDER;
She wants to ask him, sometimes, about the scars, but she knows better.
5. WORRY;
Its Rachel she's most worried about when he starts showing his interest in her, but a selfish part of her is scared for her own safety.
6. WHIMSY;
His stories start to get more fantastical when he's excited about whom he's talking to; the lies he tells Lisa, he thinks, are his best.
7. WASTELAND;
"I'll burn this city to cinders," he says over the phone, staring at the hotel room that he imagines she's in, "Unless you come to dinner with me - alone."
8. WHISKEY & RUM;He tells her that he used to be in AA as he orders ( ... )
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It's only after he sees the lights go out that he slinks up to the fourth floor hotel room and uses a maintenance card to open the door; nobody was stirring, not even a mouse.
22. QUIRKS;
She folds her socks like someone with a control problem - the underwear drawer, though, that denotes slight OCD tendencies.
23. QUESTION;
"Are you strange, Doc - strange without admitting to it?"
24. QUARREL;
He shouldn't have said a thing; she's hyperaware and snaps awake, and is quick to throw anything that isn't nailed down at him.
25. QUITTING;
"Quit it," he growls, getting a hand on her throat - and where in the world is her knight in shining armor, he wonders?
26. JUMP;
This is more like a mugging than he prefers; jumping people in back alleys or dark hotel rooms is so banal, he can hardly stand it.
27. JESTER;"A patient shows up at the doctor's office," he says, ignoring her kicking and punching as he sits on her stomach and holds her by the neck, "saying that he's seeing pink striped crocodiles every time ( ... )
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There is no safe ground here; every move they make, every word she says, every demand she makes for him to leave her and her family alone - not only do they fall on deaf ears, but they only incite the riot boiling under his skin.
43. NUANCE;
She notices the way his eye twitches when she says Azula's name, like he wants to smile or laugh or scream, and the way his mouth twists when he smiles, showing all the cracks in his chapped lips.
44. NEAR;
When he steps towards her, spiraling in from a wide circle to a narrow one, she makes no move - she knows that it would only excite him, and she doesn't want him excited.
45. NATURAL;
"Don't you realize, doc," he says as slaps a hand over her mouth and stops her arguing, "that this is the only way this could have ever ended?"
46. HORIZON;
If eyes are windows to the soul, like they say, Lisa can't see a damned thing, no matter how far back she looks - there're just miles and miles of bad intentions with no light rising to chase them away.
47. VALIANT;"It was a ( ... )
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Also Delta.
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