*Peter wakes up feeling groggy and disorientated. Although not as bone tired as yesterday, his muscles still ache and cramp. Something nags at the back of his mind, something important that he needed to do and he rubs his eyes, mentally replaying yesterday's events, trying to remember. The first memory that surfaces- being shoved into the wards
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No, Freddie, you cannot answer it for me, you have to get your coat and shoes!
*John quickly checks who had sent the message and, upon seeing Peter's name, decides it can probably wait.*
*After a brief struggle with Oliver wanting to take all of his stuffed animals in for show and tell, John finally manages to get them in the car and then to school. He drives home and only remembers the message while making himself some tea. John gets out his phone, reads the message and sighs.*
Nothing is ever easy with you, is it Peter?
*John doubles up the water in the kettle and makes a pot of tea, which, along with a plate of biscuits and a full English break fast for Peter (it is starting to get near the full moon, after all), he takes through the fireplace to the werewolf.*
Good morning, Peter.
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His musings are cut off by the arrival of breakfast. He hadn't realised how famished he was until a plate of bacon wafted into view. Gesturing for John to sit down, he begins to methodically consume as much of the food as he can in as short a time as possible.*
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This business with regard to conference is a slight kerfuffle, is it not?
Do you have a plan at all?
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No. Campbell only told me yesterday evening, and I was too busy...
*He stops. John doesn't need to know about what happened yesterday. It would only lead to Peter being monitored more closely, 'for his own good', of course and that is something he's anxious to avoid.*
...too tired to construct anything feasible.
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Hullo again, Peter! Ready to get to work, I take it? Jolly good, jolly good. Just give me one moment and then we'll be off.
*John hastily writes a note - explaining that he has taken the inhabitant of the cell out for a while and if anyone needs to contact either of them, John has his phone on him - and leaves it on the desk.*
*He then lets down the wards and ushers Peter out of the cell. The wards spring back instantly, and John's wand is pointed at Peter's throat the whole way to the control room.*
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The control pad on the main doors, more of a decoration than an actual security feature- Peter tends to prefer waving aside the doors with a verbal command- is covered in dust. No one has been down here for a while.
The main room itself appears similarly abandoned. Lack of use has led to The Machine cooling down, allowing ice to spread from the Nifleheim portal across half the floor. Under different circumstances, Peter would suggest bringing the children here and making an inpromptu ice rink. Instead he walks carefully over to the main console, hands fluttering over the keyboard, waking The Machine from its near month-long hibernation.*
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Good afternoon, Machine.
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*Oh, there's a note on Mandelson's desk. John's taken him for a walk? It's an odd thing to do right before the shift change. And there's no time on the note, so there's no telling how long they've been gone.*
*A little concerned, Nigel takes out his phone and rings John.*
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Nigel, hello - what can I do for you today?
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*He sounds alive, that's good.*
I just wanted to make sure everything is all right. Only my shift's started and you and Mandelson aren't back yet. He is with you, right?
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Goodness, we have been gone for a while!
Peter's here with me and everything is perfectly in order.
Is that all?
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*He steps cautiously over the threshold.*
Hello?
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It's not that Peter minds coding the doppelganger model per se, but having John look over his shoulder every few minutes breaks his concentration and makes it difficult for him to focus on the overall structure the program requires. It means he ends up making stupid errors that he then has to correct under John's gaze as well. All in all it's a distinctly uncomfortable and irritating experience.*
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Ah! Nigel! Come in, come in!
*John ushers Nigel into the room.*
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*The walls and ceiling are a riot of multicoloured wires and clear tubes through which a wine-red substance- BLOOD? Is that BLOOD?- bubbles ominously. On the tables lining the walls a few computer monitors stand amidst a scattering of less comprehensible electronic devices and some dangerous looking magical arrays. Wires and glittering threads of magic link the whole mess together. At the far end of the room there's an ice-rimed portal that's being used as a cooling device, judging from the tubes linking it to the machines. Nigel gets the impression that he's stumbled upon some sort of vast, Rube Goldberg-esque supercomputer.*
What is this place?
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