I don't remember exactly when I started maniacally devouring news stories about disgraced former journalist
Stephen Glass, but I'm pretty sure it must have been in the summer of 2000. I got my hands on a copy of the Vanity Fair article that would later serve as the basis for the film "
Shattered Glass," I read everything I could find about him on
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Do you really think his ability to fool all of the people some of the time with his characters and creations dried up because of the removal of deadlines and pressure? Is it just the lack of improvisational conditions? Because that's an interesting thought. I'll go away and think about it some more now.
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-J
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I don't have this much to say about most books. :-)
because of the removal of deadlines and pressure? Is it just the lack of improvisational conditions?
My suspicion is that it's not the former, but more the latter. And possibly also, as Dafna says, the removal of the thrill of the con. The tone of The Fabulist reeks with contempt for every character, to the extent that it's hard for me not to think that Glass got some high out of putting one over on people he thought so little of. I might be wrong, but I don't think so, and that's a grave disappointment to me.
-J
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Word. Cause like, taken to an extreme, communism may not have been a great idea, but at least Lenin could write.
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but then the trouble is that if he's untalented and just charming? or lucky? then I guess his value in the universe and therefore the tragedy in the story is harder to find.
I wonder if I would like the book more than you. plot and character are largely unimportant to me *g*
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-J
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