So as I said before, I wanted to do my usual list of "Heffie's Top Ten Films of 2008," but then I realized that I hadn't even seen ten! Well, actually, I'd seen eleven, but three of them I didn't love, and two of them I didn't feel entirely comfortable rating objectively in a "Best Of" list
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But I think it really shows growth for Fincher as a director, which is always gratifying. I expect to feel that way even more so when I finally see Aronofsky's THE WRESTLER.
It's funny, I haven't seen ZODIAC yet, but most of the geek critics pretty well adored it while others, you, my brother and sister-in-law hated it (but then, they're picky and also hated KISS KISS, BANG BANG, so their taste is suspect). I'm gonna need to see it myself sometime, so I can know either way. But I'm in no rush to get there.
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If you liked Curious Case of Benjamin Button (which I have not seen yet), you should check out the book The Confessions of Max Tivoli by Andrew Sean Greer-exact same plot setup (Greer got his story idea though not from F. Scott Fitzgerald's short story but the line of a Bob Dylan song: "Ah, but I was so much older then, I'm younger than that now."
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I'll keep the book in mind! My reading list is too massive at present, but I'm always up for stories like that.
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Well, I'm in the geek minority regarding HELLBOY II, it's pretty well beloved in our circles, so you might well dig the film. There's an awful lot to like, and it's definitely worth seeing. But your comparison to a Sunday newspaper comic strip is very, very apt, at least in terms of my feelings. Totally agreed. That said, I do love that werewolf comic I linked to, I thought that one really did have emotional resonance and heart.
Ha, well, wait until Part 3, when I give my final (for now) thoughts on TDK, after having seen it for a fifth time a couple days ago.
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That said, have you seen the deleted scenes? I've been meaning to. I understand Edward Norton pulled an AMERICAN HISTORY X and commandeered the film for awhile, adding whole extended scenes intended to focus purely on character development, all of which were ultimately cut from theatrical release. I've been meaning to see them, to see if they would have added anything of value or if the studio's call was the best.
I'm tempted to believe the former, as doing so actually made the director's cut of DAREDEVIL a more-than-passable superhero origin movie, even with the flaws.
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