So, I can't help it. I'm a social scientist. I see people doing stuff (and we are inveterate stuff-doers, we humans, aren't we?) and I want to know why. Why that stuff and not this other stuff, why do the stuff now instead of later, and how do people feel about this stuff? I'm endlessly fascinated.
Diana Gabaldon's recent experience with
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I didn't give that box a tick, but in a way one of the reasons I write fanfic is to fiddle in little ways with established characterisation. Especially when you've got a character like the Doctor, who has been written by so many different people in "official" capacities, who is over 900 years old himself and changes his canon personality on a regular basis, I find it hard to arrive at one particular characterisation of him and say, "Yes, this is definitely what he is like, at all times." So, I've written him more alien at times, or more scary, or more silly-when I write I'm exploring that facet of his character and bringing it to the foreground. So I'm not changing his characterisation in a way to be more "like I want it to be" but I do change it around just to explore different facets of it.
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People pointed out where she was wrong, but her following posts, while she tried to tone down the hyperbole, just came off as really inelegant "I'm sorry if you thought I was being offensive, you over-sensitive loons." faux-pologies.
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Oy, I shouldn't be trying to express myself so early in the morning.
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THIS! And further, I've discovered fandom through crossovers before and then spent scads of money on buying books, complete series DVDs and other merch, but for the creator to misunderstand what fanfiction is so badly would discourage me from doing anything to encourage them to continue creating (eg buying their books or the show/movie DVDs).
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I am happy to say, though, that my favourite author (Michael Chabon) has written fanfic himself, and published it (a Sherlock Holmes novella called The Final Solution), and, most importantly *calls it fanfic.* And I love him and his work all the more for that, because he does get it. He has also written several essays about the fannish impulse and fanfic. Also, he's a New Who fan :D ( ... )
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There is an element of "only approved people can engage with this work" for which "approved" means "went to school for it, got a degree and now get paid to do it in the agreed-upon, academic manner."
But, you know, I get to engage in a discourse with a work of art, too. So what if the best way that I know how to do that is to write fiction rather than an academic paper? And that I don't get paid for it?
Authors who don't recognise that I think need to move a bit beyond their ivory tower.
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