It wasn't that Sarah ever completely forgot that she had been a spy; it was that, from time to time, she needed to remind herself she still was. The instincts never died and she continued her private routines, kept in shape and kept the secrets she needed to in order to protect the people she loved, but there would be moments in her day, more than
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When she walks past the recreation room, she stops in her tracks when the screen pulls her in. Footage? Not of here, though. But of somewhere and Sarah's been looking for footage to figure out how she got here and how she stops herself from being followed while she finds her way out. She watches it loop, but the woman in front of it doesn't seem to be turning it off. "Are you sure you want to watch that again?" Sarah calls out, voice even and quiet.
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"I don't even know what it is," she says, a hitch in her voice, bewildered. At least it's quieter here in the rec center, but she doesn't even know how this is possible, the television console too old to have the right technology. It's this place. "I guess I thought it might start making sense if I let it run." Even as she says it, she steps forward to fumble at the camera, finding the switch to turn it off with visibly shaking hands. She perfected the lost and innocent look long ago.
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"Even though the place itself is new," she says, nodding, an attempt at politeness, the effort to speak evenly audible. "It just... showed up last year. It's so... This whole place..."
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"Your hair looks way better now, baby," he said seriously, unsure if she'd appreciate him trying to make light of the situation. "If that's even you. No one escapes the whole clone thing."
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"It's pretty scary, I know, but if it's not you..." He frowned a little, trying to look sympathetic. "We should turn it off."
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She wanted badly just to destroy it, but restraint was so necessary. As if that would do any good - its being here, wasn't that in itself a way of screaming to the world that it was her? This couldn't have been some film someone had put on, it was too obviously deliberate, too aimed. All she had was misdirection. On the other hand, at least the effort of that was, in itself, a misdirect for herself, keeping her mind from what she'd done.
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Okay, he was kind of bored.
Chuck wasn't far behind her when she entered the common room and stopped once he saw what was on the screen. He watched for a moment, eyes a bit wide as he watched Sarah pull the trigger.
"...Sarah?"
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Turning toward him, she blinked back tears and took a deep breath, trying to steady herself. "I... Chuck," she said, an honest bewilderment in her voice. "It was just here, just sitting here, playing like this."
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At least then, he wouldn't have had to ask her about it.
"What is it?" Chuck asked, looking from Sarah to the screen and then back to Sarah again. He knew it had to have been some kind of mission, and from the looks of it, it was one that Sarah wasn't exactly happy to be reminded of. "Do you want me to turn it off? I'll turn it off."
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Still, she forced herself to remember where they were, looking around to make sure no one was listening, no one was near enough to be listen, before she said anything more, voice hushed, if still distressed. She'd kept her secrets here this long. She didn't want to ruin that now. "It's my red test. My first kill. This shouldn't be here."
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Was that- well, no, Sarah didn't shoot people, she worked in... he forgot. She had a job that wasn't shooting people somewhere vaguely French looking.
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"It just keeps playing," she said. "And she looks like - I would never -"
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Finding an off button seemed a little beneath his skill set, but he settled for it. It was fastest.
"Better?" he said, once it had stopped.
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Felicia would swear up and down that she was just passing through to switch out magazines before carrying on with the dullness that was her everyday life. Fortunately she's not about to be given the fourth degree any time soon. Turning slightly to get a better look at the screen before casting a glance at the blonde woman.
"I hate it when they do that. They pull out the cheap tears and it sucks then they cut to a wedding."
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Even if it is breathing heavily in your face. "Exception to every rule. Plus, happily ever after is not all it's cracked up to be."
Or so she's heard. She never really makes it to the after of anything.
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Through the haze of trying to keep everything together, trying to do this right, she's not entirely sure how much of this is just her playing sweet and naïve and how much is her honestly wanting to believe that. Then again, the woman on this tape, the one with a gun in her hands - could she ever really get a happily ever after? Even with a guy like Chuck.
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