Scott isn't really expecting anybody to show. If anybody does, it'll probably be students from class-- he offered 'em a whopping letter increase in their grade to bribe them, and of course the permanent esteem of their favorite professor into the bargain-- though it's possible some people might stumble in on a whim, lured by the promise of free
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Scott eases out from behind the student desk and crosses the room, stopping to pluck a chocolate bar from the bowl, wiggling his brows suggestively at the room as he drops his prize into the breast pocket of his shirt. There's a book in his hand, Fragile Things by Neil Gaiman-- one of the best perks of the island is getting all these Books Of The Future; last things he'd read had been Sandman Midnight Theater and Good Omens, and he was waiting on an advance copy of Neverwhere when he got yoinked. He's planning on reading a poem to warm things up. He hops on top of the teacher's desk, sits down indian-style, and finds his place.
"All right, let's get started. This one's a poem by a fellow named Neil Gaiman. If you haven't heard of him, and you like it, I order you to take that black softcover over there--Smoke and Mirrors, it's called-- and devour it immediately, do not pass Go, do not collect two hundred dollars. All right, nuff jabbering." And he starts ( ... )
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So when Mister Scott said that name and read those words she did what a child would do. She closed her eyes and she covered her ears and sat in silence. And waited for it to end.
"He's not very good, is he?" Coraline said simply. It was less of a question and more of a statement. "In fact I think he's a bad word. Lots of bad words. The kind that I would get into a lot of trouble for repeating. I don't think poetry is supposed to make you feel that."
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Oh, SHIT.
"Ah, well..." He wants to look anywhere but her big brown eyes but man, he can't. "I'm, ah, sorry you didn't like it." He scratches the back of his neck. Like he doesn't know why she hates it. Like she doesn't know he knows why she hates it.
What a smuckin' moron he is!
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"Hey, man," he says, the grin on his face threatening to sprain some muscles, "thanks for this. You lend poetry a kind of unbelievable air of credibility, you know?"
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But it's Scott, so the half-minute passes and he can't take it any more. "Mom... like, as in Aphrodite?"
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Stepping up to the front of the room, she smiled, dipping a shoulder to the side in a cheerful approximation of a curtsy, and looked to Scott. "You didn't say how long it had to be to get the chocolate," she teased, "so I'm reading a little Shel Silverstein. This is called 'Weird-Bird.'
"Birds are flyin' south for winter.
Here's the Weird-Bird headin' north,
Wings a-flappin', beak a-chatterin',
Cold head bobbin' back 'n' forth.
He says, 'It's not that I like ice
Or freezin' winds and snowy ground.
It's just sometimes it's kind of nice
To be the only bird in town.'"
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Given that no one seems to be prepared to offer up their own work, it might not even be that bad. Sitting near the back, I sip my coffee and debate whether or not even chocolate's worth it.
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"Gonna get up there, de Gallo?" he whispers.
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"Hey there Princess," he says, squeezing her tight. "You did so good. How'd that feel up there?"
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