Well real life and a general fatigue has slowed down my writing a fair bit recently. However, that slow down has proved useful in another way. It's forced me to reappraise whether I am over planning my fics. On some days I have struggled to write portions and yet on other days when inspiration has hit me and I have disregarded my plan, I have been
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Interested that you write bios for original characters. Are these WIP's, just brief outlines originally. Or are they fully featured including physical appearance, goals, quirks etc before the first line is writing.
I find without a plan stream writing leads to big plotholes but then so does overcomplicated planning. Futher I was finding that the plan was acting like a set of railroad tracks. The ending I had planned had a 'cool' reveal but characterwise was like kryptonite since the plot from the middle to the end led there I have been stuck. In the end when I let the characters dictate it it became easier but it was a pain letting that reveal go.
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'I've been trying to modify it for months but when the road-block turns out to be caused by the road going to the wrong place it's a little hard to rectify the problem.'
That was sort of the problem I was having that prompted. The end scene fitted but the participants and their motivations were off.
Do you find the bios help with larger cast sizes?
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'Are the bios redone for each fic? No ... um, not yet. Should they be?' No idea. This primarily arose about writing sequels in fanfic. I've found digging back in earlier fics for character details and motivations a bit of a problem especially if they're written a while ago.
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Then there are my Dana and Buffybot, who've changed quite a bit over the course of my stories ... maybe I do need to look into bios a bit more carefully.
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'It seems as if having the outline written puts me off - I've told the story to myself'
Actually that is exactly the sort of problem I was alluding to. When you just write it down as it occurs, you keep that joy of discovery thing going. Planning does seem to remove some of the edge and turn the getting the A to B into a bit of a chore.
The out of sequence thing I only tend to do when I get stuck, jump ahead and then come back when the transition presents itself.
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'The plan is just a skeleton - like a decayed autumn leaf. I try and fill in the smaller veins and flesh it out bit by bit.'
Nice analogy.
You mentioned you plan out the narrative and keep the metaphors in your head. Did you use relationship maps at all , say whiteboarding them?
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Again, all in my head, I guess.
It's very cluttered in there!
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