I got to show Ravenous (1999) to
kestrell and
alexx_kay yesterday. It was delightful. Zelda, you were one hundred per cent correct about me and this movie. I keep coming back to it. It has all sorts of things I love, and the way it unites them is beautiful. For a movie about human flesh, this is damn good-looking. Blood pouring down window glass with the light
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This movie sounds brilliant.
"There it is, the obligatory Robert Carlyle arse shot," he says over a screen image of his own pallid buttocks. "Why anybody would pay money to look at that I've no idea."
I really like Robert Carlyle as an actor; I am glad to know that as a person he appears to deserve it.
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Robert Carlyle is great in this. He must have been in his forties at the time it was made, but he's imp-like and charming and has a twinkle in his eye, and is boyish to a degree that's hard to believe. He remains charming while doing some really yucky and un-sexy things. It's astonishing. I never appreciated why lots of people were into him until I watched this movie.
(He's almost enough to get me to try "Once Upon A Time." Not quite, but almost.)
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I have not! It got on my radar years ago when I discovered Guy Pearce, but I never followed up. I would very much enjoy seeing it with you.
(He's almost enough to get me to try "Once Upon A Time." Not quite, but almost.)
He is the only reason I have ever considered watching that show, ditto Stargate Universe, even if I haven't actually in either case. I saw him first in The Full Monty (1997) where he's a sweetly scruffy fast talker doing his best to be a good father while organizing the impromptu male strip show his big mouth got him and his friends into, i.e., basically adorable; only later did I realize this was rather like discovering Edward G. Robinson in Double Indemnity (1944).
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Robert Carlyle was in The Full Monty? Yarp. I just haven't revisited that one in so long that I'd forgotten. It's certainly like the Edward G. Robinson comparison, or like knowing Peter Lorre from the "Spring Awakening" stage play. Lots of water and cultural context under the bridge since then.
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Ives: It just occurred to me: Carlisle's boyish grin in this reminds me of Orson Welles's in "The Third Man"; even after you know what a terrible person he is, you're still charmed by his charm.
Hart: I should have known it would end in tears when he lovingly, though self-mockingly, described his library to Boyd.
My favorite line: "Run, chickens! Run away"
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He really does.
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